SF '59: The Year's Greatest Science Fiction and Fantasy is a 1959 anthology of science fiction and fantasy short stories and articles edited by Judith Merril. It was published by Gnome Press in an edition of 5,000 copies, some of which were never bound. It was the fourth in a series of 12 annual anthologies edited by Merrill. Most of the stories and articles originally appeared in the magazines Fantasy and Science Fiction, Astounding, Playboy, The Saturday Evening Post, If, Galaxy Science Fiction, Nebula, Science-Fantasy, Fantastic Universe, Venture, Lilliput, The New Yorker and Future.
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Famous quotes containing the words year, greatest, science, fiction and/or fantasy:
“look the spangles
that sleep all the year in a dark box
dreaming of being taken out and allowed to shine,
the balls the chains red and gold the fluffy threads,
put up your little arms
and i’ll give them all to you to hold”
—E.E. (Edward Estlin)
“They have their belief, these poor Tibet people, that Providence sends down always an Incarnation of Himself into every generation. At bottom some belief in a kind of pope! At bottom still better, a belief that there is a Greatest Man; that he is discoverable; that, once discovered, we ought to treat him with an obedience which knows no bounds. This is the truth of Grand Lamaism; the “discoverability” is the only error here.”
—Thomas Carlyle (1795–1881)
“My position is a naturalistic one; I see philosophy not as an a priori propaedeutic or groundwork for science, but as continuous with science. I see philosophy and science as in the same boat—a boat which, to revert to Neurath’s figure as I so often do, we can rebuild only at sea while staying afloat in it. There is no external vantage point, no first philosophy.”
—Willard Van Orman Quine (b. 1908)
“The purpose of a work of fiction is to appeal to the lingering after-effects in the reader’s mind as differing from, say, the purpose of oratory or philosophy which respectively leave people in a fighting or thoughtful mood.”
—F. Scott Fitzgerald (1896–1940)
“... in a history of spiritual rupture, a social compact built on fantasy and collective secrets, poetry becomes more necessary than ever: it keeps the underground aquifers flowing; it is the liquid voice that can wear through stone.”
—Adrienne Rich (b. 1929)