SF '59: The Year's Greatest Science Fiction and Fantasy is a 1959 anthology of science fiction and fantasy short stories and articles edited by Judith Merril. It was published by Gnome Press in an edition of 5,000 copies, some of which were never bound. It was the fourth in a series of 12 annual anthologies edited by Merrill. Most of the stories and articles originally appeared in the magazines Fantasy and Science Fiction, Astounding, Playboy, The Saturday Evening Post, If, Galaxy Science Fiction, Nebula, Science-Fantasy, Fantastic Universe, Venture, Lilliput, The New Yorker and Future.
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“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. The Inescapable Family in American Science Fiction and Fantasy Films, Journal of Popular Film and Television (Summer 1992)
“The first sparrow of spring! The year beginning with younger hope than ever!... What at such a time are histories, chronologies, traditions, and all written revelations? The brooks sing carols and glees to the spring.”
—Henry David Thoreau (18171862)
“We soon saw, as he saw, that he was not to be pardoned or rescued by men. That would have been to disarm him, to restore to him a material weapon, a Sharps rifle, when he had taken up the sword of the spirit,the sword with which he has really won his greatest and most memorable victories. Now he has not laid aside the sword of the spirit, for he is pure spirit himself, and his sword is pure spirit also.”
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“Nor has science sufficient humanity, so long as the naturalist overlooks the wonderful congruity which subsists between man and the world; of which he is lord, not because he is the most subtile inhabitant, but because he is its head and heart, and finds something of himself in every great and small thing, in every mountain stratum, in every new law of color, fact of astronomy, or atmospheric influence which observation or analysis lay open.”
—Ralph Waldo Emerson (18031882)
“It seems that the fiction writer has a revolting attachment to the poor, for even when he writes about the rich, he is more concerned with what they lack than with what they have.”
—Flannery OConnor (19251964)
“Fantasy is a product of thought, Imagination of sensibility. If the thinking, discursive mind turns to speculation, the result is Fantasy; if, however, the sensitive, intuitive mind turns to speculation, the result is Imagination. Fantasy may be visionary, but it is cold and logical. Imagination is sensuous and instinctive. Both have form, but the form of Fantasy is analogous to Exposition, that of Imagination to Narrative.”
—Sir Herbert Read (18931968)