Sex Gang Children - History

History

The original line-up was Andi Sex Gang (vocals, guitar), Dave Roberts (bass), Terry McLeay (guitar), and Rob Stroud (drums). They were a very dramatic band, relying on heavy bass, tribal drumming, sudden mood shifts, a woozy cabaret ready sound that influenced the rise of the later dark cabaret scene, and yet another in a long line of goth singers with an odd, highly dramatic voice. The band's first release was a cassette-only live album, Naked, in 1982. The Beasts EP, their first vinyl release, followed the same year after they signed to the Illuminated label. The band's only studio album from their original period together, Song and Legend, was released in 1983, reaching the top of the UK Indie Chart and spawning the single "Sebastiane". Stroud departed to form Aemoti Crii, to be replaced by former Theatre of Hate drummer Nigel Preston, who played on the band's next single, "Mauritia Mayer", before himself being replaced by former Death Cult drummer Ray Mondo. Roberts left in late 1983 to form Carcrash International, and the lineup settled to Andi, McLeay, Cam Campbell (bass) and Kevin Matthews (drums), a change forced by Ray Mondo's deportation to his native Sierra Leone.

Following McLeay's departure in 1984, the band was renamed Andi Sex Gang & the Quick Gas Gang for the 1985 Blind! album and tour (McLeay did not leave until after that album's recording, however), but split afterwards. Renewed interest in the band in the United States led to a reformation in 1991, and a new album, Medea, in 1993. As a solo artist Andi went on to make a number of well-received albums for various labels.

Read more about this topic:  Sex Gang Children

Famous quotes containing the word history:

    The history of all countries shows that the working class exclusively by its own effort is able to develop only trade-union consciousness.
    Vladimir Ilyich Lenin (1870–1924)

    The whole history of civilisation is strewn with creeds and institutions which were invaluable at first, and deadly afterwards.
    Walter Bagehot (1826–1877)

    To care for the quarrels of the past, to identify oneself passionately with a cause that became, politically speaking, a losing cause with the birth of the modern world, is to experience a kind of straining against reality, a rebellious nonconformity that, again, is rare in America, where children are instructed in the virtues of the system they live under, as though history had achieved a happy ending in American civics.
    Mary McCarthy (1912–1989)