Concept and Visual Structure
The seven elements of the display can be lit in different combinations to represent the arabic numerals. Often the seven segments are arranged in an oblique (slanted) arrangement, which aids readability. In most applications, the seven segments are of nearly uniform shape and size (usually elongated hexagons, though trapezoids and rectangles can also be used), though in the case of adding machines, the vertical segments are longer and more oddly shaped at the ends in an effort to further enhance readability.
The numerals 0,1,6, 7 and 9 may be represented by two or more different glyphs on seven-segment displays.
The seven segments are arranged as a rectangle of two vertical segments on each side with one horizontal segment on the top, middle, and bottom. Additionally, the seventh segment bisects the rectangle horizontally. There are also fourteen-segment displays and sixteen-segment displays (for full alphanumerics); however, these have mostly been replaced by dot-matrix displays.
The segments of a 7-segment display are referred to by the letters A to G, where the optional DP decimal point (an "eighth segment") is used for the display of non-integer numbers.
Read more about this topic: Seven-segment Display
Famous quotes containing the words concept, visual and/or structure:
“The nearer a conception comes towards finality, the nearer does the dynamic relation, out of which this concept has arisen, draw to a close. To know is to lose.”
—D.H. (David Herbert)
“Nowadays people’s visual imagination is so much more sophisticated, so much more developed, particularly in young people, that now you can make an image which just slightly suggests something, they can make of it what they will.”
—Robert Doisneau (b. 1912)
“Why does philosophy use concepts and why does faith use symbols if both try to express the same ultimate? The answer, of course, is that the relation to the ultimate is not the same in each case. The philosophical relation is in principle a detached description of the basic structure in which the ultimate manifests itself. The relation of faith is in principle an involved expression of concern about the meaning of the ultimate for the faithful.”
—Paul Tillich (1886–1965)