Seven-segment Display - Concept and Visual Structure

Concept and Visual Structure

The seven elements of the display can be lit in different combinations to represent the arabic numerals. Often the seven segments are arranged in an oblique (slanted) arrangement, which aids readability. In most applications, the seven segments are of nearly uniform shape and size (usually elongated hexagons, though trapezoids and rectangles can also be used), though in the case of adding machines, the vertical segments are longer and more oddly shaped at the ends in an effort to further enhance readability.

The numerals 0,1,6, 7 and 9 may be represented by two or more different glyphs on seven-segment displays.

The seven segments are arranged as a rectangle of two vertical segments on each side with one horizontal segment on the top, middle, and bottom. Additionally, the seventh segment bisects the rectangle horizontally. There are also fourteen-segment displays and sixteen-segment displays (for full alphanumerics); however, these have mostly been replaced by dot-matrix displays.

The segments of a 7-segment display are referred to by the letters A to G, where the optional DP decimal point (an "eighth segment") is used for the display of non-integer numbers.


Read more about this topic:  Seven-segment Display

Famous quotes containing the words concept, visual and/or structure:

    It is impossible to dissociate language from science or science from language, because every natural science always involves three things: the sequence of phenomena on which the science is based; the abstract concepts which call these phenomena to mind; and the words in which the concepts are expressed. To call forth a concept, a word is needed; to portray a phenomenon, a concept is needed. All three mirror one and the same reality.
    Antoine Lavoisier (1743–1794)

    Unlike any other visual image, a photograph is not a rendering, an imitation or an interpretation of its subject, but actually a trace of it. No painting or drawing, however naturalist, belongs to its subject in the way that a photograph does.
    John Berger (b. 1926)

    A structure becomes architectural, and not sculptural, when its elements no longer have their justification in nature.
    Guillaume Apollinaire (1880–1918)