History
Serpentine shape is a beautiful geometry that has historically been used in many fields such as art, architecture, anatomy and topography etc. However, the earliest origin of the word derived from the shape of a snake and a similar stone. Same as other commonly used stones, serpentine stone has been used throughout history for various kinds of objects: seals, magic amulets, personal adornment and funerary equipment etc.
Italian witches in Roman period well into the Middle Ages believed that small pieces of serpentine stone can protect people from venomous creatures such as snakes or spiders. The reason is that the dark green color streaked with white color resembles the appearance of the snakeskin. Therefore serpentine is believed to be a tool to draw out the toxins whenever a person got bitten by a venomous creature.
A poem attributed to the mythical Greek poet Orpheus and said to have been written in the fourth century AD, shows how far back the association between the mineral and snakes was made:
"No more the trailing serpent's tooth to fear. Let him who by the dragon's fang hath bled, On the dire wound Serpentine powdered spread, And in the stone his sure reliance place, For wounds inflicted by the reptile race."
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Famous quotes containing the word history:
“There is nothing truer than myth: history, in its attempt to “realize” myth, distorts it, stops halfway; when history claims to have “succeeded” this is nothing but humbug and mystification. Everything we dream is “realizable.” Reality does not have to be: it is simply what it is.”
—Eugène Ionesco (b. 1912)
“I assure you that in our next class we will concern ourselves solely with the history of Egypt, and not with the more lurid and non-curricular subject of living mummies.”
—Griffin Jay, and Reginald LeBorg. Prof. Norman (Frank Reicher)
“False history gets made all day, any day,
the truth of the new is never on the news
False history gets written every day
...
the lesbian archaeologist watches herself
sifting her own life out from the shards she’s piecing,
asking the clay all questions but her own.”
—Adrienne Rich (b. 1929)