Gallery
You can find a larger gallery on Wikimedia Commons
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Monastery of St. Nilus on Stolbny Island in Lake Seliger near Ostashkov, ca. 1910
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Early colour photograph as part of Sergey's work to document the early 20th century Russian Empire
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Young Russian peasant women in a rural area along the Sheksna River near the small town of Kirillov
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Greek women and children harvesting tea in Chakva, Georgia
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Kama river near Perm (1910). The bridge still stands today, but another similar bridge has been built along side it. Both are painted white and red.
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Chalice in the vestry of the Ipatevskii Monastery in Kostroma, 1911
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Austro-Hungarian POWs in Russia, 1915
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The mid-18th century Trinity Monastery in Tyumen, ca. 1912
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Zindan (prison) in Bukhara, 1907
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General view of the city of Perm, 1910
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General view of the city of Perm from Gorodskie Gorki, 1910
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Razguliai, outskirts of the city of Perm, 1910
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Mary Magdalene Church of the city Perm, 1910
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Summertime location of the exchange in the city Perm, 1910
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Staro-Sibirskaia Gate in the city of Perm, 1910
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Headquarters of the Ural Railway Administration in the city of Perm, 1910
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Dagestani man, 1904
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Bashkir switchman near Ust-Katav, 1910
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Italian woman in formal dress, posed, standing near gate.
Read more about this topic: Sergey Prokudin-Gorsky
Famous quotes containing the word gallery:
“I never can pass by the Metropolitan Museum of Art in New York without thinking of it not as a gallery of living portraits but as a cemetery of tax-deductible wealth.”
—Lewis H. Lapham (b. 1935)
“It doesnt matter that your painting is small. Kopecks are also small, but when a lot are put together they make a ruble. Each painting displayed in a gallery and each good book that makes it into a library, no matter how small they may be, serves a great cause: accretion of the national wealth.”
—Anton Pavlovich Chekhov (18601904)
“I should like to have seen a gallery of coronation beauties, at Westminster Abbey, confronted for a moment by this band of Island girls; their stiffness, formality, and affectation contrasted with the artless vivacity and unconcealed natural graces of these savage maidens. It would be the Venus de Medici placed beside a milliners doll.”
—Herman Melville (18191891)