Production
It was announced, by Fey and executive producer Lorne Michaels, at the annual Television Critics Association tour in July 2007 that Jerry Seinfeld would be appearing in the season premiere of 30 Rock. Seinfeld had only appeared in two television acting roles since his own sitcom ended in 1998. Those roles were in Mad About You and Newsradio.
The scenes featuring Jerry Seinfeld were filmed on August 20, 2007. Seinfeld wore a wig in the episode to make him look more like the character version of Jerry Seinfeld. Upon first wearing the wig, Seinfeld said "This looks weird," but his wife assured him that "That's what looked like ." This episode effectively ended the story arc of Liz's relationship with Floyd, which began mid-way through season one. There was a joke in this episode in which Cerie's surname was revealed as Xerox, but the joke was cut. This is the first episode in which Katrina Bowden (as Cerie), Keith Powell (James "Toofer" Spurlock) and Lonny Ross (Josh Girard) receive star billing.
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Famous quotes containing the word production:
“It is part of the educators responsibility to see equally to two things: First, that the problem grows out of the conditions of the experience being had in the present, and that it is within the range of the capacity of students; and, secondly, that it is such that it arouses in the learner an active quest for information and for production of new ideas. The new facts and new ideas thus obtained become the ground for further experiences in which new problems are presented.”
—John Dewey (18591952)
“Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.”
—Karl Marx (18181883)
“The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.”
—Ernest Gellner (b. 1925)