Reception
The book and the film have both received positive reviews from critics. Waitzkin's book was praised by Grandmaster Nigel Short, as well as chess journalist Edward Winter, who called it "a delightful book" in which "the topics treated with an acuity and grace that offer the reviewer something quotable on almost every page." Screenwriter and playwright Tom Stoppard called the book "well written" and "captivating".
The film currently has a 100% rating on Rotten Tomatoes, based on 33 reviews. Roger Ebert gave the film a score of four stars (out of four), calling it "a film of remarkable sensitivity and insight", adding, "by the end of, we have learned a great deal about human nature." James Berardinelli gave the film three stars (out of four), calling it "an intensely fascinating movie capable of involving those who are ignorant about chess as well as those who love it."
The film was nominated for Best Cinematography (Conrad L. Hall) at the 1993 Academy Awards. It won the category at the American Society of Cinematographers the same year. The film also ranked No. 96 in AFI's 100 Years... 100 Cheers.
Read more about this topic: Searching For Bobby Fischer
Famous quotes containing the word reception:
“To aim to convert a man by miracles is a profanation of the soul. A true conversion, a true Christ, is now, as always, to be made by the reception of beautiful sentiments.”
—Ralph Waldo Emerson (1803–1882)
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)