Scottish Songs - Pop and Rock

Pop and Rock

Pop and rock were slow to get started in Scotland and produced few bands of note in the 1950s or 1960s, though thanks to accolades by David Bowie and others, the Edinburgh- based band 1-2-3 (later Clouds), active 1966–71, have belatedly been acknowledged as a definitive precursor of the progressive rock movement. However, by the 1970s bands such as the Average White Band, Nazareth, and the Sensational Alex Harvey Band began to have international success. The biggest Scottish pop act of the 1970s however (at least in terms of sales) were undoubtedly the Bay City Rollers. Several of the members of the internationally-successful rock band AC/DC were born in Scotland, including original lead singer Bon Scott and guitarists Malcolm and Angus Young, though by the time they began playing, all three had moved to Australia.

Scotland produced a few punk bands of note, such as The Exploited, The Rezillos, The Skids, The Fire Engines, and the Scars. However, it was not until the post-punk era of the early 1980s, that Scotland really came into its own, with bands like Cocteau Twins, Orange Juice, The Associates, Simple Minds, Maggie Reilly, Annie Lennox (Eurythmics), Hue and Cry, Goodbye Mr. Mackenzie, The Jesus and Mary Chain, Big Country, The Proclaimers and Josef K achieved critical acclaim. Since the 1980s Scotland has produced a more or less constant stream of important rock and alternative rock acts.

The 1980s also saw the rise of Scottish progressive rock/metal, with Marillion receiving worldwide recognition. Bands such as these have given inspiration to countless hundreds of 21st century Scottish rock bands resulting in the fruitful and diverse underground music culture present in Scotland today. Most recently, Scottish piping has included a renaissance for cauldwind pipes such as smallpipes and border pipes, which use cold, dry air as opposed to the moist air of mouth-blown pipes. Other pipers such as Gordon Duncan and Fred Morrison began to explore new musical genres on many kinds of pipes. The accordion also gained in popularity during the 1970s due to the renown of Phil Cunningham, whose distinctive piano accordion style was an integral part of the band Silly Wizard. Numerous musicians continued to follow more traditional styles including Alex Beaton.

More modern musicians include Shooglenifty, innovators of the house fusion acid croft, along with Peatbog Faeries. The Easy Club, jazz fusion bands, puirt a' bhèil mouth musicians Talitha MacKenzie and Martin Swan, pioneering singers Savourna Stevenson, Heather Heywood and Christine Primrose. Other modern musicians include the late techno-piper Martyn Bennett (who used hip hop beats and sampling), Hamish Moore, Roger Ball, Hamish Stuart, Jim Diamond, Sheena Easton and Gordon Mooney.

Scotland produced many indie bands in the 1980s, Primal Scream, The Soup Dragons, The Jesus and Mary Chain, The Blue Nile, Teenage Fanclub, 18 Wheeler, The Pastels and BMX Bandits being some of the best examples. The following decade also saw a burgeoning scene in Glasgow, with the likes of The Almighty, Arab Strap, Belle & Sebastian, Camera Obscura, The Delgados, Bis and Mogwai . The late 1990s and 2000s has also seen Scottish guitar bands continue to achieve critical or commercial success, examples include Franz Ferdinand, Biffy Clyro, Travis, Calvin Harris, KT Tunstall, Amy Macdonald, Paolo Nutini, The View, Idlewild, Shirley Manson of Garbage, Glasvegas, The Fratellis, and Twin Atlantic.

Scottish extreme metal bands include Man Must Die, Cancerous Womb, Neonatal Death and Cerebral Bore.