Theatre
Rudin also continues to produce for the theatre. He co-produced the unsuccessful staging of David Henry Hwang's Face Value with Stuart Ostrow and Jujamcyn Theaters. He started a deal with Jujamcyn to develop and produce new plays for the theater chain. In 1994, Rudin won Best Musical Tony Award for his production of Stephen Sondheim and James Lapine's Passion. The following year, he, along with others, produced Kathleen Turner's Broadway comeback, Indiscretions, and Ralph Fiennes New York theatre debut in Hamlet. In 1996, Rudin produced the revival of the Stephen Sondheim and Larry Gelbart musical A Funny Thing Happened on the Way to the Forum, which starred Nathan Lane, Ernie Sabella and Mark Linn-Baker.
He also produced The Goat or Who Is Sylvia?, Seven Guitars, The Ride Down Mt. Morgan, Copenhagen, Deuce, Who's Afraid of Virginia Woolf?, The History Boys, Beckett/Albee, Closer, The Blue Room, and Doubt. In 2010, he co-produced, along with Carole Shorenstein Hays, the Broadway revival of August Wilson's Pulitzer Prize-winning play Fences, starring Denzel Washington and Viola Davis, which garnered ten Tony Award nominations and three wins, including Best Revival of a Play. He has won five Tonys and five Drama Desk Awards for his productions.
Rudin is currently the lead producer for the Broadway musical The Book of Mormon, which opened in March 2011 at the Eugene O'Neill Theatre and won nine Tony Awards including best musical.
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Famous quotes containing the word theatre:
“To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air; the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.”
—Eleonora Duse (1859–1924)
“I can get dressed earlier in the evening with every intention of going to a dance at midnight, but somehow after the theatre the thing to do seems to be either to go to bed or sit around somewhere. It doesn’t seem possible that somewhere people can be expecting you at an hour like that.”
—Robert Benchley (1889–1945)
“... in the happy laughter of a theatre audience one can get the most immediate and numerically impressive guarantee that there is nothing in one’s mind which is not familiar to the mass of persons living at the time.”
—Rebecca West (1892–1983)