Music
Frank Zappa's 1979 concept album/rock opera Joe's Garage lampoons Scientology in the song "A Token of My Extreme". Zappa uses terminology such as "L. Ron Hoover" and "Appliantology", telling the main character "Joe" that he "must go into the closet" to pursue his latent appliance fetishism. Gary Numan had popular songs laced with Scientology references in the 1980s such as "Me, I Disconnect from you", "Praying to the Aliens", and "Only a Downstat", influenced directly by Burroughs' Scientology-based writings.
The alternative metal band Tool has voiced criticism of Scientology. After releasing their first full-length album Undertow in 1993, the band began touring to promote their new work. In May 1993, Tool was scheduled to play the Garden Pavilion in Hollywood but learned at the last minute that the Garden Pavilion belonged to the Church of Scientology, which the band felt clashed with "the band's ethics about how a person should not follow a belief system that constricts their development as a human being". The band's vocalist Maynard James Keenan recalled that he "spent most of the show baa-ing like a sheep at the audience". Scott Schalin reported in Bay Area Music: "Between songs, Keenan, staring first at the lush grounds paid for by devoted L. Ron followers and then into the eyes of his own audience, bayed into the mic like a sheep looking for his shepherd's gate. "Baaaaa! Baaaaa!" the singer bleated." The lyrics to the Tool song "Ænema" contain the phrase: "Fuck L. Ron Hubbard, Fuck all his clones."
Read more about this topic: Scientology In Popular Culture
Famous quotes containing the word music:
“And this shall be for music when no one else is near,
The fine song for singing, the rare song to hear!
That only I remember, that only you admire,
Of the broad road that stretches and the roadside fire.”
—Robert Louis Stevenson (1850–1894)
“Poetry is either something that lives like fire inside you—like music to the musician or Marxism to the Communist—or else it is nothing, an empty formalized bore around which pedants can endlessly drone their notes and explanations.”
—F. Scott Fitzgerald (1896–1940)
“I’ve come close to matching the feeling of that night in 1944 in music, when I first heard Diz and Bird, but I’ve never got there.... I’m always looking for it, listening and feeling for it, though, trying to always feel it in and through the music I play every day.”
—Miles Davis (1926–1991)