Career
Schoolly D teamed up with DJ Code Money in the mid-1980s. His lyrics reflected urban realism, violence, and sexual bravado, making Schoolly D an early gangsta rapper. He later embraced an Afrocentric style, bringing Afrocentric culture to hip hop along with KRS-One.
Schoolly D contributed songs and music to many Abel Ferrara films, such as "Saturday Night" (from Saturday Night! – The Album), as well as the title track from Am I Black Enough For You? which was played during the climactic shoot-out in Ferrara's King of New York; the title track of this movie from How a Black Man Feels and "Signifying Rapper" (from Schoolly's album Smoke Some Kill), which was used in the director's Bad Lieutenant. Because Led Zeppelin successfully sued due to an uncleared interpolation of its song "Kashmir" in "Signifying Rapper," the song was omitted from the soundtrack of the film and from subsequent releases of the film.
Composer Joe Delia tapped Schoolly to co-write and record "The Player" for Ferrara's film The Blackout, which Delia scored. Schoolly also wrote the score to Ferrara's 'R Xmas. In 2006, Schoolly D co-wrote the indie film soundtrack of the historical science fiction thriller Order of the Quest with Chuck Treece. The project series is produced by Benjamin Barnett, and Jay D Clark of Media Bureau. His last album, Funk 'N Pussy, features guest appearances by Public Enemy's Chuck D, Chuck Chillout, Lady B and a drum and bass remix of the classic Schoolly D track "Mr. Big Dick" (remixed by UK trip-hop crew The Sneaker Pimps).
Schoolly also performed the music and occasional narration for the cult animated series Aqua Teen Hunger Force on the Cartoon Network's Adult Swim programming block. He also created the song "Sharkian Nights" for the 12 oz. Mouse.
Read more about this topic: Schoolly D
Famous quotes containing the word career:
“He was at a starting point which makes many a man’s career a fine subject for betting, if there were any gentlemen given to that amusement who could appreciate the complicated probabilities of an arduous purpose, with all the possible thwartings and furtherings of circumstance, all the niceties of inward balance, by which a man swings and makes his point or else is carried headlong.”
—George Eliot [Mary Ann (or Marian)
“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)
“I began my editorial career with the presidency of Mr. Adams, and my principal object was to render his administration all the assistance in my power. I flattered myself with the hope of accompanying him through [his] voyage, and of partaking in a trifling degree, of the glory of the enterprise; but he suddenly tacked about, and I could follow him no longer. I therefore waited for the first opportunity to haul down my sails.”
—William Cobbett (1762–1835)