Plot
The plot focuses on Grace Hanadarko (Hunter), a smoking, heavy drinking, and promiscuous Oklahoma City detective. In the series opener, Grace meets up with her "last-chance" angel, when after a night of drinking she runs down and kills a pedestrian with her Porsche. In desperation she calls out for God's help, and a scruffy, tobacco-spitting man who calls himself Earl (Rippy) appears. Unfolding his wings to reveal his divine origins, Earl tells her that she's headed for Hell, and asks if she's ready to turn her life over to God. When he finally disappears, the person she struck is also gone and it's as if the accident never happened. The only evidence left is a small amount of the victim's blood on her blouse, which she brings to her best friend, forensics expert Rhetta Rodriguez (San Giacomo), to analyze. With Rhetta's help, Grace discovers that her accident "victim" is actually an inmate on death row, Leon Cooley (Woodbine), who is also visited by Earl on a regular basis.
Passionate in her job, Grace investigates homicides and other major crimes with the fellow officers in her squad, including Ham Dewey (Kenny Johnson), Butch Ada (Chase), Bobby Stillwater (Gregory Cruz), and Captain Kate Perry (Lorraine Toussaint).
Off the job Grace drinks heavily, engages in numerous one-night stands and casual encounters with men, and is having an affair with her married police partner, Ham. Aside from her faults, Grace is an extraordinarily loving and generous person to those around her. In particular she loves her young nephew, Clay (Dylan Minnette), and devotes a great deal of her time to him.
Earl appears to Grace throughout the series, hoping she'll turn away from her more self-destructive tendencies and seek God's help. Saving Grace uses Grace's story to discuss the topic of faith, and how difficult faith can be in such an imperfect world.
Read more about this topic: Saving Grace (TV Series)
Famous quotes containing the word plot:
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)