Saul Bellow - Works About Saul Bellow

Works About Saul Bellow

  • Saul Bellow, Tony Tanner (1965) (see also his City of Words )
  • Saul Bellow, Malcolm Bradbury (1982)
  • Saul Bellow Drumlin Woodchuck,Mark Harris, University of Georgia Press. (1982)
  • Saul Bellow: Modern Critical Views, Harold Bloom (Ed.) (1986)
  • Handsome Is: Adventures with Saul Bellow, Harriet Wasserman (1997)
  • Saul Bellow and the Decline of Humanism, Michael K Glenday (1990)
  • Saul Bellow: A Biography of the Imagination, Ruth Miller, St. Martins Pr. (1991)
  • Bellow: A Biography, James Atlas (2000)
  • "Even Later" and "The American Eagle" in Martin Amis, The War Against Cliché (2001) are celebratory. The latter essay is also found in the Everyman's Library edition of Augie March.
  • 'Saul Bellow's comic style': James Wood in The Irresponsible Self: On Laughter and the Novel, 2004. ISBN 0-224-06450-9.
  • The Hero in Contemporary American Fiction: The Works of Saul Bellow and Don DeLillo, Stephanie Halldorson (2007)
  • Saul Bellow a song, written by Sufjan Stevens on The Avalanche

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Famous quotes containing the words saul bellow, works, saul and/or bellow:

    “Everybody knows there is no fineness or accuracy of suppression; if you hold down one thing, you hold down the adjoining.”
    —Saul Bellow (b. 1915)

    “We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.”
    —Clive Bell (1881–1962)

    “Saul, Saul, why persecutest thou me?”
    —Bible: New Testament Jesus, in Acts, 9:4.

    the words of Christ to Saul (St. Paul)

    “As for types like my own, obscurely motivated by the conviction that our existence was worthless if we didn’t make a turning point of it, we were assigned to the humanities, to poetry, philosophy, painting—the nursery games of humankind, which had to be left behind when the age of science began. The humanities would be called upon to choose a wallpaper for the crypt, as the end drew near.”
    —Saul Bellow (b. 1915)