Influence
Satya has been referred to as a modern masterpiece and "perhaps" one of the best films of the 1990s. Film critic Rajeev Masand has labeled it (along with its sequel Company) one of the "most influential movies of the past ten years." The film marked the introduction of a new genre of film making, a variation of film noir that has been called Mumbai noir, of which he is the acknowledged master.
British director Danny Boyle has cited Satya as an inspiration for his 2008 Academy Award winning film Slumdog Millionaire. Satya's "slick, often mesmerizing" portrayal of the Mumbai underworld, which included gritty and realistic "brutality and urban violence," directly influenced the portrayal of the Mumbai underworld in Slumdog Millionaire.
Satya has spawned countless imitations in Bollywood, some by Varma himself, but all are considered largely inferior.
Read more about this topic: Satya (film)
Famous quotes containing the word influence:
“No power on earth or above the bottomless pit has such influence to terrorize and make cowards of men as the liquor power. Satan could not have fallen on a more potent instrument with which to thrall the world. Alcohol is king!”
—Eliza “Mother” Stewart (1816–c. 1908)
“I am not sure but I should betake myself in extremities to the liberal divinities of Greece, rather than to my country’s God. Jehovah, though with us he has acquired new attributes, is more absolute and unapproachable, but hardly more divine, than Jove. He is not so much of a gentleman, not so gracious and catholic, he does not exert so intimate and genial an influence on nature, as many a god of the Greeks.”
—Henry David Thoreau (1817–1862)
“The adolescent does not develop her identity and individuality by moving outside her family. She is not triggered by some magic unconscious dynamic whereby she rejects her family in favour of her peers or of a larger society.... She continues to develop in relation to her parents. Her mother continues to have more influence over her than either her father or her friends.”
—Terri Apter (20th century)