Sarie Marais (1931): The First South African Film With Sound
Sarie Marais was also the title of the first South African talking picture, directed by Joseph Albrecht and made in 1931. Filmed in Johannesburg, Sarie Marais manages to pack a lot into its 10-minute running time. Set in a British POW camp, the film concentrates on a group of Boer prisoners as they pass the time under the watchful eye of their British captors. One of the internees, played by Billy Mathews, lifts his voice in song with the popular Afrikaans patriotic tune "My Sarie Marais". His enthusiasm catches on with the other prisoners, giving them hope for the future .
Afrikaner nationalism was emerging as a force in these years, and Sarie Marais portrayed the British cultural and economic imperialism negatively (the desire to spread the English language, culture and influence even where it was unwelcome).
Shortly after this film's release, a group of Afrikaner nationalists established a film production organisation called the Reddingsdaad-Bond-Amateur-Rolprent Organisasie (Rescue Action League Amateur Film Organisation), which rallied against British and American films pervading the country.
Francis Coley directed a remake of this film, again titled Sarie Marais in 1949.
Read more about this topic: Sarie Marais
Famous quotes containing the words south, african, film and/or sound:
“Even when seen from near, the olive shows
A hue of far away. Perhaps for this
The dove brought olive back, a tree which grows
Unearthly pale, which ever dims and dries,
And whose great thirst, exceeding all excess,
Teaches the South it is not paradise.”
—Richard Wilbur (b. 1921)
“The soldier here, as everywhere in Canada, appeared to be put forward, and by his best foot. They were in the proportion of the soldiers to the laborers in an African ant-hill.... On every prominent ledge you could see England’s hands holding the Canadas, and I judged from the redness of her knuckles that she would soon have to let go.”
—Henry David Thoreau (1817–1862)
“[Film noir] experiences periodic rebirth and rediscovery. Whenever we have any moment of deep societal rift or disruption in America, one of the ways we can express it is through the ideas and behavior in film noir.”
—John Briley (b. 1925)
“my gentle-hearted Charles, to whom
No sound is dissonant which tells of Life.”
—Samuel Taylor Coleridge (1772–1834)