Career
After training at the Academy of Live and Recorded Arts in London, her appearance in a cult advert for Manchester-based Boddingtons bitter in 1994 (as Vera, who likes nothing better than "a good rub down with chip fat") led to a series of roles as Northern women, including Dawn Rudge in Peak Practice (1993), Allie Henshall in Cutting It (2002), Annie Naylor in Trust and Natalie Holden in Blackpool (2004)
She starred alongside Debra Messing in the movie The Wedding Date, had a small role in The Holiday with Jude Law, Cameron Diaz, Jack Black and Kate Winslet, and appeared as the Empress of the Racnoss in the Christmas 2006 Doctor Who episode "The Runaway Bride". Her most recent appearance was in the one-off drama Recovery. She also starred in the BBC series Shakespeare Retold in which she played Beatrice.
Parish returned as GP Katie Roden in series two of Mistresses which was first shown on BBC One in February 2009. She played Lady Catrina in the BBC television series Merlin.
In November 2009, Parish starred in a short film to promote Somerset, commissioned by inward investment agency Into Somerset.
In 2011, Parish co-starred in ITV's medical drama Monroe alongside James Nesbitt.
Read more about this topic: Sarah Parish
Famous quotes containing the word career:
“A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.”
—Ishmael Reed (b. 1938)
“The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.”
—Jessie Bernard (20th century)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)