Production
Following five years of second unit director work on films such as Uma and Roppa's Honeymoon, Kurosawa was finally given the go-ahead to direct his first film, even though he himself claimed that, in films like Uma, "I had been so much in charge of production I had felt like the director". After hearing of a new novel from the writer Tomita Tsuneo, Kurosawa decided the project was for him and asked film producer Iwao Mori to buy the rights for him. According to renowned Kurosawa scholar Donald Richie, the reason Kurosawa was allowed to direct the film was because he had had two film scripts printed, including one of which had won the education minister's prize. However, his work was too far away from the government requirements for a wartime film. Tomita's novel, on the other hand, was considered "safe", dealing, as it did, with a Japanese subject such as the rivalry between judo and jujitsu, was a period piece, and was a popularist subject. Kurosawa deliberately went out to make a "movie-like movie", as he knew he would not be able to insert any particularly didactic qualities in the film.
After the initial release, Japanese censors trimmed the film by 17 minutes. This footage was never recovered; however, the original script with the missing material still exists. The 1952 re-release (from which the 2009 Criterion DVD is made) opens with (translated from the original Japanese text): "This film has been modified from the original version of Akira Kurosawa's debut film, which opened in 1943, without consulting the director or the production staff. 1,845 feet of footage was cut in 1944 to comply with the government's wartime entertainment policies."
Read more about this topic: Sanshiro Sugata
Famous quotes containing the word production:
“To expect to increase prices and then to maintain them at a higher level by means of a plan which must of necessity increase production while decreasing consumption is to fly in the face of an economic law as well established as any law of nature.”
—Calvin Coolidge (1872–1933)
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)
“Perestroika basically is creating material incentives for the individual. Some of the comrades deny that, but I can’t see it any other way. In that sense human nature kinda goes backwards. It’s a step backwards. You have to realize the people weren’t quite ready for a socialist production system.”
—Gus Hall (b. 1910)