Characters
Samurai Champloo tells the story of three strangers in the Tokugawa era (also known as the Edo Period) who come together on a journey across Japan.
- Mugen: A brash vagabond from the Ryukyu Islands, Mugen is a 19 year old wanderer with a wildly unconventional fighting style. He wears metal-soled geta and carries an exotic sword on his back. In Japanese, the word mugen means "infinite" (literally, "without limit" or "limitless").
- Jin: Jin is a 20 year old reserved ronin who carries himself in the conventionally stoic manner of a samurai of the Tokugawa era. Using his waist-strung daishÅ, he fights in the traditional kenjutsu style of a samurai trained in a prominent, sanctioned dojo. Jin wears glasses, an available but uncommon accessory in Edo era Japan. Spectacles, called "Dutch glass merchandise" ("Oranda gyoku shinajina" in Japanese) at the time, were imported from Holland early in the Tokugawa period and became more widely available as the 17th century progressed. Although pictured in advertisements as smoking a kiseru, he was never depicted with one in the series. He is named after one of the seven virtues of the samurai in Bushido, "Jin" (Benevolence).
- Fuu: A feisty 15-year-old girl, Fuu asks Mugen and Jin to help her find a sparsely described man she calls "the samurai who smells of sunflowers." A flying squirrel named "Momo" (short for momonga, "flying squirrel") accompanies her, inhabiting her kimono and frequently leaping out to her rescue. Her name, Fuu, is short for fuukinchou, which is Japanese for "tanagers".
Apart from this trio, other characters tend to appear only once or twice throughout the series.
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Famous quotes containing the word characters:
“Philosophy is written in this grand bookI mean the universe
which stands continually open to our gaze, but it cannot be understood unless one first learns to comprehend the language and interpret the characters in which it is written. It is written in the language of mathematics, and its characters are triangles, circles, and other geometrical figures, without which it is humanly impossible to understand a single word of it.”
—Galileo Galilei (15641642)
“I cannot be much pleased without an appearance of truth; at least of possibilityI wish the history to be natural though the sentiments are refined; and the characters to be probable, though their behaviour is excelling.”
—Frances Burney (17521840)
“The naturalistic literature of this country has reached such a state that no family of characters is considered true to life which does not include at least two hypochondriacs, one sadist, and one old man who spills food down the front of his vest.”
—Robert Benchley (18891945)