Career
Khan debuted after director K.n l Amaranth saw him at a wedding and was impressed by his good looks. He asked him to come to Mumbai, where he hired him as an actor for Rs. 400 a month. Khan acted in various movies, in large and small parts, for seven years. He was unable to capture the public's interest, and, as a result, his career had stalled. Khan appeared in such films as Teesri Manzil (1966), Sarhaadi Lootera (1966) and Diwaana (1967), in total he has acted in 25 films. He met Javed Akhtar on the sets of Sarhaadi Lootera.Salim khan used to assist writer/director Abrar Alvi at first and Javed Akhtar used to assist Kaifi Azmi.Abrar Alvi and Kaifi Azmi were neighbours,from there on Salim Khan and Javed Akhtar became friends and both of them ventured into script writing. Javed used to write dialogues and then became a film script writer, now a well known lyricist. The duo hit it off and formed a scriptwriting team that came to be known as Salim-Javed. Their first big success was the script for Seeta Aur Geeta (1972). They also had hits in Yaadon Ki Baaraat (1973), Zanjeer (1973), Deewaar (1975), Sholay (1975), Trishul (1978), Kranti (1981), Zamaana (1985) and Mr. India (1987). Salim-Javed, many a times described as "the most successful scripwriters of all-time", are also noted to be the first scriptwriters in Indian cinema to achieve star status.
Read more about this topic: Salim Khan
Famous quotes containing the word career:
“Like the old soldier of the ballad, I now close my military career and just fade away, an old soldier who tried to do his duty as God gave him the light to see that duty. Goodbye.”
—Douglas MacArthur (1880–1964)
“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)
“A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.”
—Ishmael Reed (b. 1938)