Sailor Venus - Development

Development

In the transition between the Sailor V and Sailor Moon series, Minako's basic character design did not change—in fact, creator Naoko Takeuchi has written that the concept of Minako has barely changed at all from the first moment she was created. The magazine that serialized Sailor V, Run-Run, intended to produce an OVA based on the character, but went bankrupt before it could happen, so Minako was relegated to the sidelines as one of Sailor Moon's costars, to Takeuchi's regret.

In Minako's new form as Sailor Venus, she would have a new uniform, and this went through many changes before settling to the one used in publication. Early on, each of the Senshi had a fully unique costume, and Venus's was inspired largely by the Sailor V outfit. It was colored mostly in dark blue, with orange used only for the chest-ribbon (which was not bow-shaped), and included a crescent moon motif, prominent armor, and white- and red-stripes. Her red hair-ribbon and trademark Sailor V mask were present as well. Later, Takeuchi was surprised by these sketches and stated that she did not remember drawing them.

The kanji in Minako's name translate as "love" (愛, ai?), "field" or "civilian" (野, no?), "beauty" (美, mi?), "what" or "how" (奈, na?), and "child" (子, ko?). It is structured as a pun, as the syllable "no" indicates a possessive, so that her name can also be understood as "Minako of Love." As Minako was "transplanted" from her previous series, unlike the other Senshi, her family name does not begin with the same kanji as her planet, which would have been "gold" (金, kin?). However, like them it is still a representation of her primary element, the "inevitable" connection with Venus, the Roman goddess of love. The characters of her given name can also, using unconventional but extant readings, be read as Binasu—a Japanese approximation of the name "Venus".

Read more about this topic:  Sailor Venus

Famous quotes containing the word development:

    John B. Watson, the most influential child-rearing expert [of the 1920s], warned that doting mothers could retard the development of children,... Demonstrations of affection were therefore limited. “If you must, kiss them once on the forehead when they say goodnight. Shake hands with them in the morning.”
    Sylvia Ann Hewitt (20th century)

    A defective voice will always preclude an artist from achieving the complete development of his art, however intelligent he may be.... The voice is an instrument which the artist must learn to use with suppleness and sureness, as if it were a limb.
    Sarah Bernhardt (1845–1923)

    Dissonance between family and school, therefore, is not only inevitable in a changing society; it also helps to make children more malleable and responsive to a changing world. By the same token, one could say that absolute homogeneity between family and school would reflect a static, authoritarian society and discourage creative, adaptive development in children.
    Sara Lawrence Lightfoot (20th century)