Criticism
There have been few formal studies evaluating the claims made by Safe Speed:
- George Monbiot has argued that Safe Speed is much more about speed than safety, and is part of a "culture of speed".
- The claim that "one third of road deaths are due to speed cameras" was disputed by the Parliamentary Advisory Council for Transport Safety (PACTS) and by the National Safety Camera Scheme which cite seatbelt and alcohol laws introduced prior to the 1990s, and recent increased road use and mobile phone use as better explanations for the perceived increase in casualties. Safe Speed's method of extrapolating from two years' data is also disputed.
- Which? magazine reported that NSCL cite three studies which do allow for long-term trends, and which confirm the correlation between speed cameras and accident reduction. The magazine also reported that TRL dispute Safe Speed’s interpretation of TRL 323. In particular they state that the study was dependent on subjective judgements of primary cause, and that many of the other primary causes listed also implied excessive speed. Other TRL studies (e.g. 421 and 511) have examined the relationship between speed and accidents and suggest a strong association. A study of over 300 roads, encompassing several hundred thousand observations, demonstrated that the higher the average speed of traffic on a given type of road, the more accidents there are. The study also demonstrated that injury accidents rise as average speed increases (if all else remains constant).
Read more about this topic: Safe Speed
Famous quotes containing the word criticism:
“Unless criticism refuses to take itself quite so seriously or at least to permit its readers not to, it will inevitably continue to reflect the finicky canons of the genteel tradition and the depressing pieties of the Culture Religion of Modernism.”
—Leslie Fiedler (b. 1917)
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other mens genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)
“I am opposed to writing about the private lives of living authors and psychoanalyzing them while they are alive. Criticism is getting all mixed up with a combination of the Junior F.B.I.- men, discards from Freud and Jung and a sort of Columnist peep- hole and missing laundry list school.... Every young English professor sees gold in them dirty sheets now. Imagine what they can do with the soiled sheets of four legal beds by the same writer and you can see why their tongues are slavering.”
—Ernest Hemingway (18991961)