Sacred Architecture

Sacred architecture (also known as religious architecture) is a religious architectural practice concerned with the design and construction of places of worship and/or sacred or intentional space, such as churches, mosques, stupas, synagogues, and temples. Many cultures devoted considerable resources to their sacred architecture and places of worship. Religious and sacred spaces are amongst the most impressive and permanent monolithic buildings created by humanity. Conversely, sacred architecture as a locale for meta-intimacy may also be non-monolithic, ephemeral and intensely private, personal and non-public.

Sacred, religious and holy structures often evolved over centuries and were the largest buildings in the world, prior to the modern skyscraper. While the various styles employed in sacred architecture sometimes reflected trends in other structures, these styles also remained unique from the contemporary architecture used in other structures. With the rise of Abrahamic monotheisms (particularly Christianity and Islam), religious buildings increasingly became centres of worship, prayer and meditation.

The Western scholarly discipline of the history of architecture itself closely follows the history of religious architecture from ancient times until the Baroque period, at least. Sacred geometry, iconography and the use of sophisticated semiotics such as signs, symbols and religious motifs are endemic to sacred architecture.

Read more about Sacred Architecture:  Spiritual Aspects of Religious Architecture, Ancient Architecture, Classical Architecture, Indian Architecture, Byzantine Architecture, Islam, Medieval Architecture, Gothic Architecture, Renaissance Architecture, Baroque Architecture, Mormon Temples, Modern and Post-modern Architectures

Famous quotes containing the words sacred and/or architecture:

    Sacrifice is nothing other than the production of sacred things.
    Georges Bataille (1897–1962)

    I don’t think of form as a kind of architecture. The architecture is the result of the forming. It is the kinesthetic and visual sense of position and wholeness that puts the thing into the realm of art.
    Roy Lichtenstein (b. 1923)