Career
Sabyasachi's first mainstream work was a lead role in the 1987 TV series Tero Parbon for Kolkata Doordarshan channel. Tero Parbon was a critically acclaimed series with a memorable soundtrack in which his role as the character Gora was well-received and made him fairly popular in his early days of acting.
He made his movie debut in Tapan Sinha’s film Antardhan in 1992. He continued to work in several television series and shows (mostly in Bengali). He has directed many TV shows and some shows for children. His role as Feluda in Jotokando Kathmandutei, Baksho Rahashya, Bombaiyer Bombete, Kailashey Kelenkari, Tintorettor Jishu and Gorosthaney Sabdhan have reinstated the nostalgia surrounding Satyajit Ray’s Feluda series. His roles in Antardhan, Sweth Pathorer Thala, Mahulbanir Sereng, Parineeta (Hindi), Nishijapon Raj Kumar Santoshi's cop drama Khakee and Mira Nair's The Namesake amongst others have earned him wide recognition. He got involved with Charbak theatre group in 1983. He has worked in a number of Hindi movies and TV shows as well.
Read more about this topic: Sabyasachi Chakraborty
Famous quotes containing the word career:
“John Brown’s career for the last six weeks of his life was meteor-like, flashing through the darkness in which we live. I know of nothing so miraculous in our history.”
—Henry David Thoreau (1817–1862)
“A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.”
—Ishmael Reed (b. 1938)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)