Ruth Madoc - Career

Career

After RADA Ruth worked in The Black and White Minstrel Show.

Her first husband was the actor, Philip Madoc. They had a son, Rhys, and a daughter, Lowri, but eventually divorced.

In 1971 Ruth Madoc played Fruma Sarah in the film version of the musical Fiddler on the Roof, and in 1972 appeared as Mrs Dai Bread Two in the film of Under Milk Wood. She also appeared regularly on BBC Wales in the entertainment programme Poems and Pints. She was also one of the alien voices in the Cadbury's Smash advertisements in the 1970s.

She is an experienced theatre actress who has appeared in many productions, including the stage version of Under Milk Wood, Steel Magnolias, Agatha Christie thrillers (And Then There Were None...), the musical Annie and many pantomime parts.

In contrast with her stage career, many of her most high-profile television parts have been Welsh characters: in addition to Little Britain and Hi-de-Hi!, she has also appeared in the Swansea-set Mine, All Mine.

In 2002 she and her husband bought a home in Glynneath.

In 2004 she appeared in the reality television programme Cariad@Iaith on S4C, in which celebrities went on an intensive Welsh language course.

She has also appeared in the LivingTV reality show, I'm Famous and Frightened! which she went on to win.

In July 2006 she was awarded an honorary degree from Swansea University.

She also appeared in "Annie" as "Miss Hannigan" all over the country on tour.

In 2008 she appeared at the Rhyl Pavilion Theatre playing the 'Bad Fairy' in the pantomime 'Sleeping Beauty', with Sonia and Rebecca Trehearn.

In 2009 Madoc returned to situation comedy when she appeared in BBC1 television's Big Top, in which she starred alongside Amanda Holden, John Thomson and Tony Robinson.

In 2010 Madoc took part in the BBC Wales programme Coming Home about her Welsh family history in which she was told of her being related to David Lloyd George.

Read more about this topic:  Ruth Madoc

Famous quotes containing the word career:

    I began my editorial career with the presidency of Mr. Adams, and my principal object was to render his administration all the assistance in my power. I flattered myself with the hope of accompanying him through [his] voyage, and of partaking in a trifling degree, of the glory of the enterprise; but he suddenly tacked about, and I could follow him no longer. I therefore waited for the first opportunity to haul down my sails.
    William Cobbett (1762–1835)

    Clearly, society has a tremendous stake in insisting on a woman’s natural fitness for the career of mother: the alternatives are all too expensive.
    Ann Oakley (b. 1944)

    Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.
    Lewis H. Lapham (b. 1935)