The Russian Association of Proletarian Writers, also known under its transliterated abbreviation RAPP (Russian: Российская ассоциация пролетарских писателей, РАПП) was an official creative union in the Soviet Union established in January 1925.
Among its stated purposes was "to scourge and chastice " in the name of the Party", i.e., effectively encouraging censorship of literature on ideological grounds. Among the first targets were Yevgeny Zamiatin and Boris Pilnyak. It became notorious for its "enthusiastic" attacks on writers who failed to fit the RAPP's definition of the "true Soviet writer", which have eventually earned criticism from the leadership of the Bolshevik party. Among its targets were both pro- and anti-Bolshevik writers, notably including Mikhail Bulgakov, Maxim Gorki, Vladimir Mayakovski, Alexey Tolstoy, Boris Pilniak, and Yevgeni Zamyatin.
In April 1932 RAPP, together with other creative unions, such as Proletkult VOAPP, and Russian Association of Proletarian Musicians, was disbanded, and the USSR Union of Writers (together other new creative unions) was established instead.
Famous quotes containing the words proletarian writers, russian, association, proletarian and/or writers:
“It is a mass language only in the same sense that its baseball slang is born of baseball players. That is, it is a language which is being molded by writers to do delicate things and yet be within the grasp of superficially educated people. It is not a natural growth, much as its proletarian writers would like to think so. But compared with it at its best, English has reached the Alexandrian stage of formalism and decay.”
—Raymond Chandler (1888–1959)
“A criminal trial is like a Russian novel: it starts with exasperating slowness as the characters are introduced to a jury, then there are complications in the form of minor witnesses, the protagonist finally appears and contradictions arise to produce drama, and finally as both jury and spectators grow weary and confused the pace quickens, reaching its climax in passionate final argument.”
—Clifford Irving (b. 1930)
“The spiritual kinship between Lincoln and Whitman was founded upon their Americanism, their essential Westernism. Whitman had grown up without much formal education; Lincoln had scarcely any education. One had become the notable poet of the day; one the orator of the Gettsyburg Address. It was inevitable that Whitman as a poet should turn with a feeling of kinship to Lincoln, and even without any association or contact feel that Lincoln was his.”
—Edgar Lee Masters (1869–1950)
“There is in fact no such thing as art for art’s sake, art that stands above classes, art that is detached from or independent of politics. Proletarian literature and art are part of the whole proletarian revolutionary cause.”
—Mao Zedong (1893–1976)
“It is remarkable that almost all speakers and writers feel it to be incumbent on them, sooner or later, to prove or acknowledge the personality of God. Some Earl of Bridgewater, thinking it better late than never, has provided for it in his will. It is a sad mistake.”
—Henry David Thoreau (1817–1862)