The Russian Association of Proletarian Writers, also known under its transliterated abbreviation RAPP (Russian: Российская ассоциация пролетарских писателей, РАПП) was an official creative union in the Soviet Union established in January 1925.
Among its stated purposes was "to scourge and chastice " in the name of the Party", i.e., effectively encouraging censorship of literature on ideological grounds. Among the first targets were Yevgeny Zamiatin and Boris Pilnyak. It became notorious for its "enthusiastic" attacks on writers who failed to fit the RAPP's definition of the "true Soviet writer", which have eventually earned criticism from the leadership of the Bolshevik party. Among its targets were both pro- and anti-Bolshevik writers, notably including Mikhail Bulgakov, Maxim Gorki, Vladimir Mayakovski, Alexey Tolstoy, Boris Pilniak, and Yevgeni Zamyatin.
In April 1932 RAPP, together with other creative unions, such as Proletkult VOAPP, and Russian Association of Proletarian Musicians, was disbanded, and the USSR Union of Writers (together other new creative unions) was established instead.
Famous quotes containing the words proletarian writers, russian, association, proletarian and/or writers:
“It is a mass language only in the same sense that its baseball slang is born of baseball players. That is, it is a language which is being molded by writers to do delicate things and yet be within the grasp of superficially educated people. It is not a natural growth, much as its proletarian writers would like to think so. But compared with it at its best, English has reached the Alexandrian stage of formalism and decay.”
—Raymond Chandler (1888–1959)
“A country is strong which consists of wealthy families, every member of whom is interested in defending a common treasure; it is weak when composed of scattered individuals, to whom it matters little whether they obey seven or one, a Russian or a Corsican, so long as each keeps his own plot of land, blind in their wretched egotism, to the fact that the day is coming when this too will be torn from them.”
—Honoré De Balzac (1799–1850)
“It is not merely the likeness which is precious ... but the association and the sense of nearness involved in the thing ... the fact of the very shadow of the person lying there fixed forever! It is the very sanctification of portraits I think—and it is not at all monstrous in me to say ... that I would rather have such a memorial of one I dearly loved, than the noblest Artist’s work ever produced.”
—Elizabeth Barrett Browning (1806–1861)
“It is a mass language only in the same sense that its baseball slang is born of baseball players. That is, it is a language which is being molded by writers to do delicate things and yet be within the grasp of superficially educated people. It is not a natural growth, much as its proletarian writers would like to think so. But compared with it at its best, English has reached the Alexandrian stage of formalism and decay.”
—Raymond Chandler (1888–1959)
“It is a mass language only in the same sense that its baseball slang is born of baseball players. That is, it is a language which is being molded by writers to do delicate things and yet be within the grasp of superficially educated people. It is not a natural growth, much as its proletarian writers would like to think so. But compared with it at its best, English has reached the Alexandrian stage of formalism and decay.”
—Raymond Chandler (1888–1959)