Style
Tamayo developed a method which criticizes more the painting rather than just the subject itself. By doing so, he is looking at the painting as a whole and not just the subject. As Tamayo explained this method to Paul Westheim, “As the number of colours we use decreases, the wealth of possibilities increases”. Tamayo was more focused on using single colors rather than using many colors because he believed using fewer colors in a painting gave the art piece a lot more meaning. An example painting that shows Tamayo’s unique color choices is seen in the painting Tres personajes cantando (Three singers), 1981. In this painting, Tamayo uses a lot of pure colors such as, red, purple, etc. The usages of these colors are very strong which defended his belief that the less colors one uses in a painting the more meaning that that painting can have. With that being said, Octavio Paz, author of the book Rufino Tamayo, argues that, “Time and again we have been told that Tamayo is a great colourist; but it should be added that this richness of colour is the result of sobriety”. By being pure, or as Paz explained, sober with his color choice, it gave Tamayo the richness in his paintings.
| “ | "If I could express with a single word what it is that distinguishes Tamayo from other painters, I would say without a moment's hesitation: Sun. For the sun is in all his pictures, whether we see it or not." - Nobel Prize-winning poet Octavio Paz | ” |
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Famous quotes containing the word style:
“To me style is just the outside of content, and content the inside of style, like the outside and the inside of the human body—both go together, they can’t be separated.”
—Jean-Luc Godard (b. 1930)
“I concluded that I was skilled, however poorly, at only one thing: marriage. And so I set about the business of selling myself and two children to some unsuspecting man who might think me a desirable second-hand mate, a man of good means and disposition willing to support another man’s children in some semblance of the style to which they were accustomed. My heart was not in the chase, but I was tired and there was no alternative. I could not afford freedom.”
—Barbara Howar (b. 1934)
“It is not in our drawing-rooms that we should look to judge of the intrinsic worth of any style of dress. The street-car is a truer crucible of its inherent value.”
—Elizabeth Stuart Phelps (1844–1911)