Early Career
Van Gelder's interest in microphones and electronics can be traced to a youthful enthusiasm for amateur radio. A longtime jazz fan (his uncle, for whom Rudy was named, had been drummer for Ted Lewis's band in the mid-1930s), Van Gelder himself had lessons on trumpet. In 1946, Van Gelder recorded friends in his parents' Hackensack, New Jersey house, in which his parents had a special control room designed and built. "When I first started, I was interested in improving the quality of the playback equipment I had", Van Gelder commented in 2005. "I never was really happy with what I heard. I always assumed the records made by the big companies sounded better than what I could reproduce. So that's how I got interested in the process. I acquired everything I could to play back audio: speakers, turntables, amplifiers". One of Van Gelder's friends, baritone saxophonist Gil Mellé, introduced him to Blue Note Records producer Alfred Lion around 1952. Van Gelder is closely associated with the Blue Note label.
Within a few years Van Gelder was in demand by many other independent labels based around New York, including Prestige Records and Savoy Records. Bob Weinstock, owner of Prestige, recalled in 1999, "Rudy was very much an asset. His rates were fair and he didn’t waste time. When you arrived at his studio he was prepared. His equipment was always ahead of its time and he was a genius when it came to recording."
The 1950s also saw Van Gelder do engineering and mastering work for the classical label Vox Records.
Read more about this topic: Rudy Van Gelder
Famous quotes containing the words early and/or career:
“In the course of twenty crowded years one parts with many illusions. I did not wish to lose the early ones. Some memories are realities, and are better than anything that can ever happen to one again.”
—Willa Cather (1873–1947)
“I seemed intent on making it as difficult for myself as possible to pursue my “male” career goal. I not only procrastinated endlessly, submitting my medical school application at the very last minute, but continued to crave a conventional female role even as I moved ahead with my “male” pursuits.”
—Margaret S. Mahler (1897–1985)