Work
Since the 1960s, Roy Ascott has been a practitioner of interactive computer art, electronic art, cybernetic and telematic art.
The historian of art and technology Frank Popper writes of Roy Ascott:
Roy Ascott was among the first artists to launch an appeal for total spectator participation ... At present, Ascott is one of the most outstanding artists and theoreticians in the field of telematics.In his first show (1964) at the Molton Gallery, London, he exhibited Analogue Structures and Diagram Boxes, comprising change-paintings and other works in wood, perspex and glass. In 1964 Ascott published "Behaviourist Art and the Cybernetic Vision" in Cybernetica: journal of the International Association for Cybernetics (Namur). In 1968, he was elected Associate Member of the Institution of Computer Science, London (proposed by Gordon Pask). In 1972, he became a Fellow of the Royal Society of Arts.
Ascott has shown at the Venice Biennale, Electra Paris, Ars Electronica, V2 Institute for the Unstable Media, Milan Triennale, Biennale do Mercosul, Brazil, European Media Festival, and gr2000az at Graz, Austria. His first telematic project was La Plissure du Texte (1983), an online work of "distributed authorship" involving artists around the world. The second was his "gesamtdatenwerk" Aspects of Gaia: Digital Pathways across the Whole Earth (1989),an installation for the Ars Electronica Festival in Linz, discussed by (inter alia) Matthew Wilson Smith in The Total Work of Art: from Bayreuth to Cyberspace, New York: Routledge, 2007. Retrospective exhibitions of his work were shown in May 2009 at Plymouth Arts Centre, England, then in the Incheon International Digital Arts Festival, Incheon, South Korea in September 2010, and at SPACE (studios) in Hackney, London in 2011. Syncretic Cybernetics, a comprehensive exhibition of his work, was featured in the 9th Shanghai Biennale 2012. Roy Ascott: The Analogues shows at the Plug-in Institute ofContemporary Arts, Winnipeg, July 2013.
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