Roxanna Panufnik - Selected Works

Selected Works

  • Westminster Mass (1997), commissioned for Cardinal Basil Hume’s 75th birthday, performed in May 1998 at Westminster Cathedral
  • Powers & Dominions (2001), a concertino for harp and orchestra
  • Inkle and Yarico (1996), a reconstruction of an anti-slavery play of the 18th century
  • The Music Programme (1999), a chamber opera commissioned by Polish National Opera (based on a novel by Paul Micou)
  • Beastly Tales (2001/2), for soprano and orchestra
  • I Dream’d, one of nine choral pieces forming A Garland for Linda in memory of Linda McCartney
  • The Upside Down Sailor, a collaboration with Richard Stilgoe
  • Spirit Moves, a quintet for the Fine Arts Brass Ensemble
  • Private Joe, a work for baritone Nigel Cliffe and the Schidlof String Quartet
  • Odi et Amo, a ballet for London Musici and the Rambert Dance Company
  • Olivia, a string quartet for the Maggini Quartet, with optional children's choir
  • Love Abide (2006), a piece for choir, mezzo-soprano, organ, harp and strings commissioned by the Choral Arts Society of Philadelphia for its 25th anniversary
  • Wild Ways (2008), a piece for choir, and shakuhachi commissioned by the Nonsuch Singers and Kiku Day
  • So Strong Is His Love (2008) a piece for choir and quartet commissioned by the Waltham Singers for the 25th Anniversary of their conductor: Andrew Fardell.
  • The Call (2010), an Advent carol commissioned by St John's College, Cambridge

Read more about this topic:  Roxanna Panufnik

Famous quotes containing the words selected and/or works:

    “The final flat of the hoe’s approval stamp
    Is reserved for the bed of a few selected seed.”
    —Robert Frost (1874–1963)

    “Audible prayer can never do the works of spiritual understanding, which regenerates; but silent prayer, watchfulness, and devout obedience enable us to follow Jesus’ example. Long prayers, superstition, and creeds clip the strong pinions of love, and clothe religion in human forms. Whatever materializes worship hinders man’s spiritual growth and keeps him from demonstrating his power over error.”
    —Mary Baker Eddy (1821–1910)