Reception
Carl Santos of Anime News Network gave the first volume of Season II a C rating and the second volume a B- rating. When he gave volume 1 a C, he noted that "you could do a lot worse". He notes that Season II has all the things that made the series good, but the attempt to reboot the series for the new semester caused it to lack intense feeling, reintroducing all the characters and going against weak enemies once again. For the second volume, Santos was more pleased with the introduction of a major villain and the fanservice artwork in the lighter story, but lamented the lack of any visually threatening monster.
Matthew Warner of Mania.com gave volumes 1 through 3 ratings between B+ and A-. In his review for volume 1, he noted that while the first part was a bit weak with "predictable and bland stories," he remarked positively on the volume's cover art and artwork in general, especially the character artwork. For the second volume, he said it was better focusing on two stories and while noting the second story with Kokoa was weaker, it still " quite a few solid laughs" and helps develop her character. In his review for volume 3, he claims while it starts out slow, he really enjoyed the story with Mizore, specifically the character development and seeing the characters put aside their disagreements for a common goal: to save Mizore.
Leroy Douresseaux of Comic Book Bin gave volumes 3 & 4 an A-. He noted the emphases on sexual innuendo comparing it to Strawberry 100%.
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Famous quotes containing the word reception:
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)