Television
His numerous television credits began in 1964 with A Touch of Don Juan (BBC - narrated by Douglas Fairbanks, Jr.) The Little Mermaid (Associated Re-diffusion) Late Night line up (BBC) Mak the Sheep stealer (ATV) Michael Bentine's Potty Time, The Show both for Thames Television.Play Days (BBC) Mortimer and Arabel (BBC), Utterly Brilliant with Timmy Mallett (YTV), Good Morning with Anne and Nick (BBC), Jays World (Meridian), Roger and the Rotten Trolls. (ITV). Bills New Frock (Channel 4) Ronnie was fortunate to appear with Harry Corbett, Matthew Corbett and also with Richard Cadell On the Sooty Show (Thames Television), and also Sooty Heights (Granada), mainly as Sweep, occasionally as Sooty and once as Scampi.
However he is probably best known as "Zippy" from ITV's Rainbow and later Rainbow Days. As Zippy, Ronnie has appeared On The Jim Davidson Show (Thames), The Generation Game (BBC), Five (TV)'s Night Fever, The Jonathan Ross Show (Channel 4), The World of Puppets (BBC), The Greatest 100 Kids TV Shows (Channel 4), Ashes to Ashes (BBC), as well as appearances at the Fridge, The Hammersmith Pallais, as well numerous Universities, Night Clubs, and Discos, all over Great Britain with the Rainbow Disco Road Show and Rainbow's Play Your Cards Right.
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Famous quotes containing the word television:
“Anyone afraid of what he thinks television does to the world is probably just afraid of the world.”
—Clive James (b. 1939)
“Television is an excellent system when one has nothing to lose, as is the case with a nomadic and rootless country like the United States, but in Europe the affect of television is that of a bulldozer which reduces culture to the lowest possible denominator.”
—Marc Fumaroli (b. 1932)
“In full view of his television audience, he preached a new religionor a new form of Christianitybased on faith in financial miracles and in a Heaven here on earth with a water slide and luxury hotels. It was a religion of celebrity and showmanship and fun, which made a mockery of all puritanical standards and all canons of good taste. Its standard was excess, and its doctrines were tolerance and freedom from accountability.”
—New Yorker (April 23, 1990)