Musical and Mixing Styles
While Frankie Knuckles at the Warehouse (and later the Power Plant) had a very smooth style of playing, Hardy was very different. He had less regard for sound quality and would play with a manic energy, mixing everything from classic Philadelphia Disco classics, italo disco imports to new wave, disco and rock tracks. Hardy also pitched records up way more than Knuckles (pitch being the difference between normal speed and the speed at which the record is currently playing. Usually expressed as + or -, with 10 being maximum/minimum). Techno artist Derrick May remembers hearing Ron playing a Stevie Wonder cut with the speed at +8.
Read more about this topic: Ron Hardy
Famous quotes containing the words musical, mixing and/or styles:
“Fifty million Frenchmen can’t be wrong.”
—Anonymous. Popular saying.
Dating from World War I—when it was used by U.S. soldiers—or before, the saying was associated with nightclub hostess Texas Quinan in the 1920s. It was the title of a song recorded by Sophie Tucker in 1927, and of a Cole Porter musical in 1929.
“Political image is like mixing cement. When it’s wet, you can move it around and shape it, but at some point it hardens and there’s almost nothing you can do to reshape it.”
—Walter F. Mondale (b. 1928)
“The gothic is singular in this; one seems easily at home in the renaissance; one is not too strange in the Byzantine; as for the Roman, it is ourselves; and we could walk blindfolded through every chink and cranny of the Greek mind; all these styles seem modern when we come close to them; but the gothic gets away.”
—Henry Brooks Adams (1838–1918)