Marian Plays and Songs
In France begins in the 12th century the tradition of Christmas dramas, in which the nativity events are reproduced by actors. This becomes popular in other European countries as well, and is seen as the origin of popular Christmas carols, which were an integral part of the Christmas drama. These early Christmas songs are largely devotions to the Mother of God. Early manifestations are in Bavaria in the 12th century At the same time, Easter songs are often converted into Marian hyms, for example the hymn Te virgini Mariae laudes concinant Christianae. The assumption of Mary is praised in numerous songs from the 10th century, In several songs, Mary is praised to be above all saints and angels and participates in the kingdom of her son. Her assumption is “wished by the faithful people” in a song from the 12th century The Marian songs and hymns in this epoch are too numerous to mention. They include pious excitement even some exaggerations, and valuable insights into the Marian belief, especially in the assumption.
Read more about this topic: Roman Catholic Marian Music
Famous quotes containing the words marian, plays and/or songs:
“The master, the swabber, the boatswain and I,
The gunner and his mate,
Loved Mall, Meg, and Marian and Margery,
But none of us cared for Kate;
For she had a tongue with a tang,
Would cry to a sailor, ‘Go hang!’
She loved not the savour of tar nor of pitch,
Yet a tailor might scratch her where’er she did itch:
Then to sea, boys, and let her go hang.”
—William Shakespeare (1564–1616)
“A great social success is a pretty girl who plays her cards as carefully as if she were plain.”
—F. Scott Fitzgerald (1896–1940)
“People fall out of windows, trees tumble down,
Summer is changed to winter, the young grow old
The air is full of children, statues, roofs
And snow. The theatre is spinning round,
Colliding with deaf-mute churches and optical trains.
The most massive sopranos are singing songs of scales.”
—Wallace Stevens (1879–1955)