Robert Rossen - Works

Works

Release Title Type Production company Writer Director Producer
1932 Steel Play Y
1932 The Tree Play Y
1933 Birthright Play Y
1935 The Body Beautiful Play Y Y
1937 – April Marked Woman Film Warner Bros. Y co-wrote n n
1937 – October They Won't Forget Film Warner Bros. Y n n
1938 Racket Busters Film Warner Bros. Y n n
1939 – September Dust Be My Destiny Film Warner Bros. Y co-wrote n n
1939 – October The Roaring Twenties Film Warner Bros. Y co-wrote n n
1940 A Child Is Born Film Warner Bros. Y n n
1941 – March The Sea Wolf Film Warner Bros. Y co-wrote n n
1941 – June Out of the Fog Film Warner Bros. Y n n
1941 – Nov Blues in the Night Film Warner Bros. Y co-wrote n n
1945 – December A Walk in the Sun Film Lewis Milestone Productions Y n n
1946 – July The Strange Love of Martha Ivers Film Hal Wallis Productions Y n n
1947 – March Johnny O'Clock Film J. E. M. Productions Y Y n
1947 – August Desert Fury Film Hal Wallis Productions Y n n
1947 – November Body and Soul Film Enterprise Studios n Y n
1949 – April The Undercover Man Film Robert Rossen n n Y
1949 – November All the King's Men Film Columbia Pictures Corporation Y Y Y
1951 The Brave Bulls Film Rossen Enterprises n Y Y
1954 Mambo Film Produzione Ponti-De Laurentiis Y Y n
1956 Alexander the Great Film Rossen Films, S.A. C.B. Films Y Y Y
1957 Island in the Sun Film Darryl F. Zanuck Productions n Y n
1959 They Came to Cordura Film Goetz Pictures, Inc.; Baroda Productions, Inc. Y Y n
1960 The Cool World Play Y co-wrote n n
1961 The Hustler Film Rossen Enterprises Company Y co-wrote with Sidney Carroll Y Y
1964 Lilith Film Centaur Enterprises Y Y Y

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    I believe it has been said that one copy of The Times contains more useful information than the whole of the historical works of Thucydides.
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    ...A shadow now occasionally crossed my simple, sanguine, and life enjoying mind, a notion that I was never really going to accomplish those powerful literary works which would blow a noble trumpet to social generosity and noblesse oblige before the world. What? should I find myself always planning and never achieving ... a richly complicated and yet firmly unified novel?
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    They commonly celebrate those beaches only which have a hotel on them, not those which have a humane house alone. But I wished to see that seashore where man’s works are wrecks; to put up at the true Atlantic House, where the ocean is land-lord as well as sea-lord, and comes ashore without a wharf for the landing; where the crumbling land is the only invalid, or at best is but dry land, and that is all you can say of it.
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