Robert Murase - Designs and Influences

Designs and Influences

Murase found roots in his own ancestry where he incorporated the elements that are often found in Japanese gardens. His signature material was stone, strongly influenced from stone sculptor Isamu Noguchi. The Japanese American Historical Plaza along Portland's waterfront was strongly influenced by the internment camp of 110,000 Japanese-Americans. He was relocated from San Francisco and interned at the Topaz War Relocation Center along with his parents as a child. He influenced others by being a guest speaker at universities, museums, and other institutions. He recently authored Touching the Stones, a book tracing 100 years of Japanese American history, which is based on his design of the Japanese American Historical Plaza.

Robert Murase died at age 66 from heart attack complications. Robert was known as a true artist who had soul, where his works were poetical and often spiritual due to the emotional thought process he had with designing sites. Influenced by his Japanese heritage, Robert used elements that mimicked nature. "I always considered him a poet of stone and water," stated by John Nesholm of LMN Architects.

Murase is well known for skillful and sublime compositions of stone, evident of an empathetic relation to the medium. However, he was arguably more adept at infusing sites with a sense of the spiritual (e.g. mystery, stillness, serenity, power, primordiality, reverence) despite whatever commotion surrounded it. This may be attributed to over a decade of self-directed exploration of Japanese artistic traditions, most notably garden design. He was greatly influenced by the artistic traditions of the Muromachi Period of 16th century Japan, when Zen flourished (subsequently influencing, transforming or leading to the creation of numerous art forms).

“What attracts me to Japanese gardens lies in the essence of quietness which they express; their meditative emptiness, the illusion of nature, the effects of shadow and filtered light, and their stark simplicity. These gardens provide a sense of “wabi,” the absence of any ostentatious element, and a sense of humility and melancholy. There is a dark, mysterious quality about them, an undiscoverable unknown which goes beyond our individual small self, which could be described as “yugen” in Japanese. These are some of the qualities I strive to express in the design process", Murase elaborates on Japanese garden design and its influence on his process.