Robert Kee - Works

Works

  • A Crowd Is Not Company (1947) POW memoirs, issued as a novel first, reissued 1982
  • The Impossible Shore (1949) novel
  • Beyond Defeat by Hans Werner Richter (1950) translator
  • The Five Seasons by Karl Eska (1954) translator
  • A Sign Of The Times (1955) novel
  • Vorkuta A Dramatic First Report on the Slave City in the Soviet Arctic by Joseph Scholmer (1955)
  • Zero Eight Fifteen. The Strange Mutiny of Gunner Asch (1955)
  • The Sanity Inspectors by Friedrich Deich (1956) translator
  • Before the Great Snow by Hans Pump (1959) translator
  • Broadstrop In Season (1959) novel
  • The Betrayed by Michael Horbach (1959) translator
  • Refugee World (1961)
  • Officer Factory by Hans Hellmut Kirst (1962) translator
  • Forward, Gunner Asch! By Hans Hellmut Kirst (1964) translator
  • The Revolt of Gunner Asch (1964) translator
  • The Return of Gunner Asch (1967) translator
  • The Most Distressful Country (1972) The Green Flag vol.1
  • The Bold Fenian Men (1972) The Green Flag vol.2
  • Ourselves Alone (1972) The Green Flag vol.3
  • Ireland: A History (1980)
  • 1939: The Year We Left Behind (1984) as 1939: In the Shadow of the War (US)
  • We'll Meet Again - Photographs of Daily Life in Britain During World War Two (1984) with Joanna Smith
  • 1945: The World We Fought For (1985)
  • A Journalist's Odyssey (1985) with Patrick O'Donovan and Hermione O'Donovan
  • Trial & Error: the Maguires, the Guildford pub bombings and British justice (1986)
  • Munich: The Eleventh Hour (1988)
  • The Picture Post Album: A 50th Anniversary Collection (1989)
  • The Laurel and the Ivy: The Story of Charles Stewart Parnell and Irish Nationalism (1993)
  • The Green Flag: A History of Irish Nationalism (2000) one-volume edition
  • Another Kind of Cinderella (1997) stories, with Angela Huth

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Famous quotes containing the word works:

    “Most works of art are effectively treated as commodities and most artists, even when they justly claim quite other intentions, are effectively treated as a category of independent craftsmen or skilled workers producing a certain kind of marginal commodity.”
    —Raymond Williams (1921–1988)

    “We do not fear censorship for we have no wish to offend with improprieties or obscenities, but we do demand, as a right, the liberty to show the dark side of wrong, that we may illuminate the bright side of virtue—the same liberty that is conceded to the art of the written word, that art to which we owe the Bible and the works of Shakespeare.”
    —D.W. (David Wark)

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