Influence
The Rider-Waite tarot deck has been vastly influential in the development of later divinatory tarot decks to the extent that many are called 'Rider-Waite clones' because they closely follow the symbolism and imagery of the Rider-Waite deck. Examples of Rider-Waite clones (some arguably so) include the Universal Waite tarot deck, Golden Tarot, Aquarian tarot deck, Nigel Jackson Tarot, Gilded Tarot, Golden Rider, and many more. This deck has also influenced the terminology used by English-speaking tarot users such that English translations of traditional French or Italian decks often use the nomenclature of the Rider-Waite deck even when those decks substantially predate the Rider-Waite.
The Rider-Waite deck has been used in many television programs and motion pictures, notably in the James Bond motion picture Live and Let Die. (The deck was used along with a different deck created by artist Fergus Hall specifically for the film.)
The Rider-Waite deck has been used as an animated video backdrop in Madonna's Re-Invention World Tour 2004 for the song "Hollywood".
Read more about this topic: Rider-Waite Tarot Deck
Famous quotes containing the word influence:
“I anticipate with pleasing expectations that retreat in which I promise myself to realize, without alloy, the sweet enjoyment of partaking, in the midst of my fellow citizens, the benign influence of good laws under a free government, the ever favorite object of my heart, and the happy reward, as I trust, of our mutual cares, labors, and dangers.”
—George Washington (1732–1799)
“We should be blessed if we lived in the present always, and took advantage of every accident that befell us, like the grass which confesses the influence of the slightest dew that falls on it; and did not spend our time in atoning for the neglect of past opportunities, which we call doing our duty.”
—Henry David Thoreau (1817–1862)
“A bestial and violent man will go so far as to kill because he is under the influence of drink, exasperated, or driven by rage and alcohol. He is paltry. He does not know the pleasure of killing, the charity of bestowing death like a caress, of linking it with the play of the noble wild beasts: every cat, every tiger, embraces its prey and licks it even while it destroys it.”
—Colette [Sidonie Gabrielle Colette] (1873–1954)