Richard Matheson - Career

Career

His first short story, "Born of Man and Woman", appeared in The Magazine of Fantasy and Science Fiction in 1950 and is the tale of a monstrous child chained in its parents' cellar told in the first person as the creature's diary (in poignantly non-idiomatic English). Between 1950 and 1971, Matheson produced dozens of stories, frequently blending elements of the science fiction, horror and fantasy genres. He was a member of The Southern California Writing Group in the 1950s-1960s, which included Charles Beaumont, William F. Nolan, Ray Bradbury, Jerry Sohl, George Clayton Johnson, and others. Matheson appears in two documentaries related to this era: Jason V Brock's "Charles Beaumont: The Life of Twilight Zone's Magic Man", and "The AckerMonster Chronicles!", which details the life of agent and editor Forrest J Ackerman.

Several of his stories, like "Third from the Sun" (1950), "Deadline" (1959) and "Button, Button" (1970) are simple sketches with twist endings; others, like "Trespass" (1953), "Being" (1954) and "Mute" (1962) explore their characters' dilemmas over twenty or thirty pages. Some tales, such as "The Funeral" (1955) and "The Doll that Does Everything" (1954) incorporate zany satirical humour at the expense of genre clichés, and are written in an hysterically overblown prose very different from Matheson's usual pared-down style. Others, like "The Test" (1954) and "Steel" (1956), portray the moral and physical struggles of ordinary people, rather than the then nearly ubiquitous scientists and superheroes, in situations which are at once futuristic and everyday. Still others, such as Hell House (1953), "The Curious Child" (1954) and perhaps most of all, "Duel" (1971) are tales of paranoia, in which the everyday environment of the present day becomes inexplicably alien or threatening. "Duel" was adapted into the TV movie of the same name.

He wrote 14 episodes for the American TV series The Twilight Zone, including "Steel" (mentioned above), and the famous "Nightmare at 20,000 Feet", plus "Little Girl Lost", a story about a young girl tumbling into the fourth dimension. On all of Matheson's scripts for The Twilight Zone, he also wrote the introductory and closing statements spoken by host Rod Serling. He adapted the works of Edgar Allan Poe for Roger Corman, and Dennis Wheatley's The Devil Rides Out for Hammer Films. He also contributed a number of scripts to the Warner Bros. western series Lawman between 1958 and 1962. He wrote the Star Trek episode "The Enemy Within", considered one of the best. In 1973, Matheson earned an Edgar Award from the Mystery Writers of America for his teleplay for The Night Stalker, one of two TV movies written by Matheson that preceded the series Kolchak: The Night Stalker. Matheson also wrote the screenplay for Fanatic (US title: Die! Die! My Darling!), starring Tallulah Bankhead and Stefanie Powers.

Matheson's first novel, Someone Is Bleeding, was published in 1953. His novels include The Shrinking Man (filmed as The Incredible Shrinking Man, again from Matheson's own screenplay), and a science fiction vampire novel, I Am Legend, (filmed as The Last Man on Earth (1964), The Omega Man (1971), and I Am Legend (2007). Other Matheson novels turned into notable films include What Dreams May Come, A Stir of Echoes (as Stir of Echoes), Bid Time Return (as Somewhere in Time), and Hell House (as The Legend of Hell House), the last two adapted and scripted by Matheson himself. Three of his short stories were filmed together as Trilogy of Terror (1975), including "Prey" (initially published in the April 1969 edition of Playboy magazine) with its famous Zuni warrior doll. Matheson's short story "Button, Button", was filmed as The Box in 2009, and was previously adapted for a 1986 episode of The Twilight Zone.

In 1960, Matheson published The Beardless Warriors, a non-fantastic, autobiographical novel about teenage American soldiers in World War II. It was filmed in 1967 as The Young Warriors though most of Matheson's plot was jettisoned. During the 1950s he published a handful of Western stories (later collected in By the Gun); and during the 1990s he published Western novels such as Journal of the Gun Years, The Gunfight, The Memoirs of Wild Bill Hickok and Shadow on the Sun. He has also written a blackly comic locked-room mystery novel, Now You See It..., aptly dedicated to Robert Bloch, and the suspense novels 7 Steps to Midnight and Hunted Past Reason.

Matheson cites specific inspirations for many of his works. Duel derived from an incident in which he and a friend, Jerry Sohl, were dangerously tailgated by a large truck on the same day as the Kennedy assassination. (However, there are similarities with William M. Robson's script of the July 15, 1962 episode of the radio drama, Suspense, "Snow on 66".) A scene from the 1953 movie Let's Do It Again in which Aldo Ray and Ray Milland put on each other's hats, one of which is far too big for the other, sparked the thought "what if someone put on his own hat and that happened," which became The Shrinking Man. Bid Time Return began when Matheson saw a movie poster featuring a beautiful picture of Maude Adams and wondered what would happen if someone fell in love with such an old picture. In the introduction to Noir: 3 Novels of Suspense (1997), which collects three of his early books, Matheson has said that the first chapter of his suspense novel Someone is Bleeding (1953) describes exactly his meeting with his wife Ruth, and that in the case of What Dreams May Come, "the whole novel is filled with scenes from our past."

According to film critic Roger Ebert, Matheson's scientific approach to the supernatural in I Am Legend and other novels from the 1950s and early 1960s "anticipated pseudorealistic fantasy novels like Rosemary's Baby and The Exorcist."

Read more about this topic:  Richard Matheson

Famous quotes containing the word career:

    In time your relatives will come to accept the idea that a career is as important to you as your family. Of course, in time the polar ice cap will melt.
    Barbara Dale (b. 1940)

    I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.
    Ruth Behar (b. 1956)

    He was at a starting point which makes many a man’s career a fine subject for betting, if there were any gentlemen given to that amusement who could appreciate the complicated probabilities of an arduous purpose, with all the possible thwartings and furtherings of circumstance, all the niceties of inward balance, by which a man swings and makes his point or else is carried headlong.
    George Eliot [Mary Ann (or Marian)