Richard K. Spottswood - Other Works

Other Works

  • “Alan Lomax” (obituary), Bluegrass Unlimited, September 2002, 21.
  • “Bill and Ted's Excellent Discography,” VJM’s Jazz & Blues Mart 151 (Autumn 2008), 5-6.
  • “Bill Monroe—An Appreciation,” Bluegrass Unlimited, January 1997, 16.
  • “Bill Monroe—Blue Moon of Kentucky,” Bluegrass Unlimited, June 2003, 81.
  • “The Birth of the Blast,” Guitar Player, April 1995, 63-69.
  • “Buzz Busby” (obituary), Bluegrass Unlimited, March 2003, 16.
  • “Caribbean and South American Recordings,” in Lost Sounds (by Tim Brooks). University of Illinois Press, 2004, 522-530.
  • “The Commercial Recordings of Charlie Monroe,” Bluegrass Unlimited, May 1969, 3-6.
  • “The Curious Ancestry of ‘Midnight on the Stormy Deep’,” Bluegrass Unlimited, July 2012, 44-45.
  • “David Medoff: A Case Study in Interethnic Popular Culture,” American Music, vol. 3, no. 2 (Autumn 1985), 261-276 (with Mark Slobin)
  • “Earl Scruggs and the Sound of Genius,” Bluegrass Unlimited, June 2012, 26-32
  • The Encyclopedia of Country Music (Oxford, 1998, 2d ed., 2012) (Several articles)
  • The Encyclopedia of the Blues (Routledge, 2006) (Several articles)
  • “Ethnic Music and Popular Style in America,” in Folk Music and Modern Sound, edited by William Ferris and Mary L. Hart, University Press of Mississippi, 1982, 60-70.
  • “Forty Years and Counting,” Bluegrass Unlimited, July 2006, 42-44
  • “Further Notes on 'Orange Blossom Special',” Bluegrass Unlimited, September 2008, 10-11
  • “Guitar on 78s and Cylinders: A Survey of Pioneering Efforts,” Victrola and 78 Journal, Winter 1996, 11-17
  • “The Gouge,” in Annual Review of Jazz Studies 12 . Scarecrow Press, 2004, 135-145
  • “Gouges, Vamps, Zulus and Scronches and Where They’ve Been Hiding,” VJM’s Jazz & Blues Mart 115 (Autumn 1999), 3-4.
  • “Gouges, Vamps, Zulus and Scronches and Where They’ve Been Hiding, Part Two” VJM’s Jazz & Blues Mart 116 (Winter 1999), 4-5.
  • “Hobart Smith: In Sacred Trust,” Banjo Newsletter, vol. 33, no. 1 (November 2005), 10-14
  • “John Duffey” (obituary), Bluegrass Unlimited (November 1996), 16
  • “John Duffey Takes No Prisoners,” Bluegrass Unlimited (July 2006), 48
  • “Lonnie Johnson—The Gennett Mystery Revealed at Last,” Joslin’s Jazz Journal, vol. 20, no. 2 (May 2001), 4. Revised version in Starr Gennett News, vol. VIII, issue II (Spring 2010).
  • “OKeh Mysteries – Blue Labels and Beyond,” VJM’s Jazz & Blues Mart 153 (Spring 2009), 6.
  • “Old-Time Music and Copyright Laws” (with Tim Brooks), Old-Time Herald, vol. 11, no. 12 (September 2009), 8-10.
  • “Rich-R’-Tone, Mutual and Blue Ridge: Histories and Inventories” (with David Sax and Pete Kuykendall), Bluegrass Unlimited, February 2005, 24-33.
  • “We Ain’t ‘Fraid Nobody: Decca Calypsos in the 1930s,” ARSC Journal, vol. 31, no. 2 (Fall 2000), 224-243.
  • “When the Wolf Knocked on Victor’s Door,” 78 Quarterly, vol. 1, no. 5 (1990), 64-77.
  • “Women and the Blues,” in Nothing But the Blues (Lawrence Cohn, ed.). Abbeville, 1994, 87-105.

Read more about this topic:  Richard K. Spottswood

Famous quotes containing the word works:

    Through the din and desultoriness of noon, even in the most Oriental city, is seen the fresh and primitive and savage nature, in which Scythians and Ethiopians and Indians dwell. What is echo, what are light and shade, day and night, ocean and stars, earthquake and eclipse, there? The works of man are everywhere swallowed up in the immensity of nature. The AEgean Sea is but Lake Huron still to the Indian.
    Henry David Thoreau (1817–1862)

    Reason, the prized reality, the Law, is apprehended, now and then, for a serene and profound moment, amidst the hubbub of cares and works which have no direct bearing on it;Mis then lost, for months or years, and again found, for an interval, to be lost again. If we compute it in time, we may, in fifty years, have half a dozen reasonable hours.
    Ralph Waldo Emerson (1803–1882)