Career
At Sega Europe, Jacques began with doing soundtracks for a plenty of Sega Saturn games, most notably jazz, eurodance and powerpop-influenced scores for Sonic R (with vocals by TJ Davis) and Sonic 3D (the Sega Saturn and PC versions). In 2000, he also created the interactive radio system and some tracks for Metropolis Street Racer (again with vocals by TJ Davis) and composed additional hip-hop tunes for Jet Set Radio, but Jacques's most known and acclaimed work at Sega came with his soundtrack for 2001's Headhunter. Jacques composed it with London Session Orchestra at Abbey Road Studios, scoring dramatic orchestral pieces. The soundtrack was well received, won awards, was historically performed at first Symphonic Game Music Concert at Leipzig and became popular entry at Video Games Live event. Jacques left Sega Europe shortly after Headhunter's release and became freelancer, but contributed to soundtracks of sequels of Headhunter and Jet Set Radio Future, and still composes for titles in Sonic the Hedgehog series. Perhaps his most known work from recent time is the additional score for critically acclaimed science fiction RPG Mass Effect. Aside from composing video game music, Richard also writes pieces for commercials and Video Games Live. He also composed some of the music in the BBC TV gameshow series, Don't Scare The Hare.
Read more about this topic: Richard Jacques
Famous quotes containing the word career:
“He was at a starting point which makes many a man’s career a fine subject for betting, if there were any gentlemen given to that amusement who could appreciate the complicated probabilities of an arduous purpose, with all the possible thwartings and furtherings of circumstance, all the niceties of inward balance, by which a man swings and makes his point or else is carried headlong.”
—George Eliot [Mary Ann (or Marian)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)
“Clearly, society has a tremendous stake in insisting on a woman’s natural fitness for the career of mother: the alternatives are all too expensive.”
—Ann Oakley (b. 1944)