Richard Danielpour - Career

Career

Early on as a student--first at the New England Conservatory, then at The Juilliard School -- Danielpour established his reputation as a pianist (studying under Hollander, Jochum, and Chodus) and composer (under Persichetti and Mennin). His first Piano Concerto, completed in 1981 (but later withdrawn), was commissioned and received its first performances while Danielpour was still a Juilliard student. He initially employed serial methods in his works in the early 1980s, but works from the end of that decade, such as First Light (1988) and The Awakened Heart (1990), adopt a broader and more expressive style. He emerged in the 1990s as one of a handful of composers, alongside Adams, Rouse, Schwantner, Corigliano, and Kernis, who embraced triadic harmony alongside experimental innovations of the previous century — the familiar sound of the traditional orchestra as well as elements of pop, rock, and jazz. 1996's Concerto for Orchestra ("Zoarastrian Riddles"), for example, contains musical allusions to Broadway scores, movies, and television. In the late 1990s, Danielpour became one of only three composers (the others being Stravinsky and Copland) to be signed to an exclusive recording contract with Sony Classical. He has fulfilled commissions for numerous orchestras including the San Francisco Symphony and the New York Philharmonic, received several awards (including MacDowell, Rockefeller, and Guggenheim fellowships), completed numerous residencies, and served on the faculties of the Curtis Institute and the Manhattan School of Music. In 2005 he completed his first opera, Margaret Garner, in collaboration with Toni Morrison.