Musical Style and Approach
Despite being known for work in bands with prominent musicianship, Barbieri's key skill lies not in virtuoso instrumental performance, but in developing and processing synthetic electronic sound. This is either generated entirely by keyboard input or by processing a sound source from a musical collaborator. He has cited Karlheinz Stockhausen as a central influence, and his approach could also be compared to similar "non-virtuoso" art rock musicians such as Brian Eno.
During his time with Japan, Barbieri worked (with the assistance of lead singer/occasional keyboard player David Sylvian) on programming the band's analogue (and early digital) synthesizers to create original sounds and textures. On record, these were played by whichever member of Japan could interpret the performance best (generally drummer Steve Jansen, as "he had the best timing.") Barbieri would, however, perform the bulk of the keyboard playing live. His keyboard-playing role in Porcupine Tree is similarly split with frontman/producer Steven Wilson, with Barbieri processing the sound of other musicians in the band as well as playing more orthodox keyboard parts.
Despite his emphasis on sonic experimentation, Barbieri is also an accomplished keyboard player who has become more overtly traditional in his playing during his sixteen years with Porcupine Tree (and who currently plays electric and acoustic pianos and Mellotrons in addition to his analogue-styled synthesizer work).
Read more about this topic: Richard Barbieri
Famous quotes containing the words musical, style and/or approach:
“Syncopations are no indication of light or trashy music, and to shy bricks at “hateful ragtime” no longer passes for musical culture.”
—Scott Joplin (1868–1917)
“Style is the man himself.
[Le style c’est l’homme même.]”
—Leclerc, George-Louis Buffon, Comte De (1707–1788)
“You should approach Joyce’s Ulysses as the illiterate Baptist preacher approaches the Old Testament: with faith.”
—William Faulkner (1897–1962)