Structure and Content
The piece begins with a slow piano theme in the key of B minor and a male voice repeating the words "number nine", quickly panning across the stereo channels. The unidentified voice was found on an EMI examination tape in the studio archives. Lennon recalled: "I just liked the way he said 'number nine' so I made a loop ... it was like a joke, bringing number nine in it all the time ..." Both the piano theme and the "number nine" loop recur many times during the piece, serving as a motif.
Much of the track consists of tape loops that are faded in and out, several of which are sampled from performances of classical music. Works that have been specifically identified include the Vaughan Williams motet O Clap Your Hands, the final chord from Sibelius' Symphony No. 7, and the reversed finale of Schumann's Symphonic Studies. Other loops include brief portions of Beethoven's Choral Fantasy, "The Streets of Cairo", violins from "A Day in the Life", and George Martin saying "Geoff, put the red light on". There are also loops of unidentified operatic performances, backwards mellotron, violins and sound effects, an oboe/horn duet, a reversed electric guitar in the key of E major, and a reversed string quartet in the key of E-flat major.
Portions of the unused coda of "Revolution 1" can be heard briefly several times during the track, particularly Lennon's screams of "right" and "alright", with a longer portion near the end featuring Ono's discourse about becoming naked. Segments of random prose read by Lennon and Harrison are heard prominently throughout, along with numerous sound effects such as laughter, crowd noise, breaking glass, car horns, and gunfire. Some of the sounds were taken from an Elektra Records album of stock sound effects. The piece ends with a recording of American football chants ("Hold that line! Block that kick!"). In all, the final mix includes at least 45 different sound sources.
Read more about this topic: Revolution 9
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