Reception
| Reception | |
|---|---|
| Aggregate scores | |
| Aggregator | Score |
| GameRankings | 84.15% (GC) 61.60% (WII) |
| Metacritic | 83 (GC) 62 (WII) |
| Review scores | |
| Publication | Score |
| 1UP.com | B+ |
| Allgame | (GCN) (WII) |
| Eurogamer | 8 out of 10 (GCN) 7 out of 10 (WII) |
| Famitsu | 38 out of 40 |
| Game Informer | 9.25 out of 10 |
| GamePro | |
| Game Revolution | B |
| GameSpot | 8.0 out of 10 |
| GameSpy | (GC) |
| GamesRadar | (WII) |
| GameZone | 9.3 out of 10 |
| IGN | 8.2 out of 10 |
| Official Nintendo Magazine | 78% (WII) |
| X-Play | |
| Rotten Tomatoes | 8 out of 10 |
Resident Evil Zero was generally well received by critics and has sold 1.25 million copies worldwide.
However, many reviews were critical of some of the game's elements. 1UP.com felt that the series had become a cliché of predictability, with "crate-pushing puzzles" and the "self-destruct countdown during the final boss fight" already appearing in earlier titles, coupled with a "lame" backstory. Regardless, the work done by the backgrounds team was praised along with Zero's item-dropping feature, achieving a "B+" ranking. GameSpot put much time to discussing the player-zapping feature and, while pointing out its successes in strategy and in puzzle solving, he believed that "the mechanic really feel very innovative or interesting", mostly describing its uses as puzzle-related, though based around keeping one character stood still or sending items up a dumb-waiter to the other. Similarly to 1UP.com, GameSpot criticised the puzzle-planning further, noting similarities to those of previous titles.
The Wii version criticized for not fully using the Wii remote capabilities such as the pointer controls, instead relying largely on the "Classic Controller". IGN gave it a "poor" 4.5/10.
Read more about this topic: Resident Evil Zero
Famous quotes containing the word reception:
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)