Research Laboratory For Archaeology and The History of Art

The Research Laboratory for Archaeology and the History of Art (RLAHA) is a laboratory at the University of Oxford, England which develops and applies scientific methods to the study of the past. It was established in 1955 and its first director was Teddy Hall. The first deputy director was Dr Stuart Young, who was followed by Martin Aitken in 1957.

As of 2004, the Laboratory is directed by Professor Mark Pollard. Amongst the areas of research it has been involved in are:

  • Radiocarbon dating
  • Luminescence dating
  • Materials analysis
  • Palaeodiet
  • Archaeological geophysics
  • Uranium-series dating
  • Diagenesis

The laboratory includes the Oxford Radiocarbon Accelerator Unit, which carries out radiocarbon dating using an accelerator mass spectrometer. The Laboratory publishes the journal Archaeometry.

Famous quotes containing the words research, laboratory, history and/or art:

    Men talk, but rarely about anything personal. Recent research on friendship ... has shown that male relationships are based on shared activities: men tend to do things together rather than simply be together.... Female friendships, particularly close friendships, are usually based on self-disclosure, or on talking about intimate aspects of their lives.
    Bettina Arndt (20th century)

    The best work of artists in any age is the work of innocence liberated by technical knowledge. The laboratory experiments that led to the theory of pure color equipped the impressionists to paint nature as if it had only just been created.
    Nancy Hale (b. 1908)

    The history of all countries shows that the working class exclusively by its own effort is able to develop only trade-union consciousness.
    Vladimir Ilyich Lenin (1870–1924)

    The artistic temperament is a disease that affects amateurs.... Artists of a large and wholesome vitality get rid of their art easily, as they breathe easily or perspire easily. But in artists of less force, the thing becomes a pressure, and produces a definite pain, which is called the artistic temperament.
    Gilbert Keith Chesterton (1874–1936)