Requiem Canticles - Structure

Structure

The piece consists of 9 short movements:

  • 1. Prelude
  • 2. Exaudi
  • 3. Dies Irae
  • 4. Tuba mirum
  • 5. Interlude
  • 6. Rex tremendae
  • 7. Lacrimosa
  • 8. Libera me
  • 9. Postlude

Joseph N. Straus has discussed in detail Stravinsky's particular application of serial technique in the work, and his devising and use of a system of "rotational arrays" and "four-part arrays" in composing the work. David Smyth has noted Stravinsky's incorporation of the "B-A-C-H" (B flat-A-C-B natural) motif in the work.

Requiem Canticles is characteristic of Stravinsky's twelve-tone practice in that he preferred the inverse-retrograde (IR) to the typical retrograde-inverse (RI):

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