Production
Renaldo and Clara was written by Bob Dylan and Sam Shepard. Most of the performers are musicians or members of Dylan's inner circle; the only professional actors in the cast are Sam Shepard, Harry Dean Stanton, Helena Kallianiotes, and Ronee Blakley.
The style, structure, and thematic elements of Renaldo and Clara were heavily influenced by the French film Les Enfants du Paradis. Similarities between the two films include the use of whiteface (Dylan), the recurring flower, the woman in white (Baez), the on-stage and backstage scenes, and the dialogue of both films' climactic scenes. Also evident is the Cubist approach of the two films, allowing us to see the main characters from the different perspectives of various lovers. Running time is also relatively similar.
Many of the artists performing with the Rolling Thunder Revue are featured in the film, which also includes clips of concert performances and footage of Rubin Carter, the subject of Dylan's song "Hurricane". The film also contains the last known footage of Phil Ochs, who is shown preparing to take the stage at Folk City in October 1975; he committed suicide six months later. The film also features a very charismatic appearance from another ill-fated musician, David Blue, who gives some insight into the mid/late 1960s New York City folk music scene while playing an extended game of pinball.
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Famous quotes containing the word production:
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“From the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.”
—Charles Darwin (1809–1882)
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)