Rem Koolhaas - Early Life and Career

Early Life and Career

Remment Koolhaas, usually abbreviated to Rem Koolhaas, was born on 17 November 1944 in Rotterdam, Netherlands to Anton Koolhaas (1912–1992) and Selinde Pietertje Roosenburg (born 1920). His father was a novelist, critic, and screenwriter. Two documentary films by Bert Haanstra for which his father wrote the scenarios were nominated for an Academy Award for Documentary Feature, one won a Golden Bear for Short Film. His maternal grandfather, Dirk Roosenburg (1887–1962), was a modernist architect. His grandfather had worked for Hendrik Petrus Berlage, before he opened his own practice. Rem Koolhaas has a brother, Thomas, and a sister, Annabel. The family lived consecutively in Rotterdam (until 1946), Amsterdam (1946–1952), Jakarta (1952–1955), and Amsterdam (from 1955).

His father strongly supported the Indonesian cause for autonomy from the colonial Dutch in his writing. When the war of independence was won, he was invited over to run a cultural programme for three years and the family moved to Jakarta in 1952. "It was a very important age for me," Koolhaas recalls, "and I really lived as an Asian."

In 1969 Koolhaas co-wrote The White Slave, a Dutch film noir, and later wrote an unproduced script for American soft-porn king Russ Meyer.

He then was a journalist for the Haagse Post before starting studies, in 1968, in architecture at the Architectural Association School of Architecture in London, followed, in 1972, by further studies with O. Mathias Ungers at Cornell University in Ithaca, New York, followed by studies at the Institute for Architecture and Urban Studies in New York City.

Koolhaas first came to public and critical attention with OMA (The Office for Metropolitan Architecture), the office he founded in 1975 together with architects Elia Zenghelis, Zoe Zenghelis and (Koolhaas's wife) Madelon Vriesendorp in London. They were later joined by one of Koolhaas's students, Zaha Hadid - who would soon go on to achieve success in her own right. An early work which would mark their difference from the then dominant postmodern classicism of the late 1970s, was their contribution to the Venice Biennale of 1980, curated by Italian architect Paolo Portoghesi, titled "Presence of the Past". Each architect had to design a stage-like "frontage" to a Potemkin-type internal street; and the OMA scheme was the only modernist scheme among them.

Other early critically received (yet unbuilt) projects included the Parc de la Villette, Paris (1982) and the residence for the President of Ireland (1981). The first large project by OMA to be built was the Kunsthal in Rotterdam (1992). These schemes would attempt to put into practice many of the findings Koolhaas made in his book Delirious New York (1978), which was written while he was a visiting scholar at the Institute for Architecture and Urban Studies in New York, directed by Peter Eisenman.

In September 2006, Rem Koolhaas was commissioned to develop 111 First Street in Jersey City across the Hudson River from Manhattan, working with real estate developer Louis Dubin.

In October 2008 Rem Koolhaas was invited for a European "group of the wise" under the chairmanship of former Spanish prime minister Felipe González to help 'design' the future European Union. Other members include Nokia chairman Jorma Ollila, former European Commissioner Mario Monti and former president of Poland Lech Wałęsa.

Read more about this topic:  Rem Koolhaas

Famous quotes containing the words early, life and/or career:

    Our instructed vagrancy, which has hardly time to linger by the hedgerows, but runs away early to the tropics, and is at home with palms and banyans—which is nourished on books of travel, and stretches the theatre of its imagination to the Zambesi.
    George Eliot [Mary Ann (or Marian)

    Think of the life of the working woman as the decathlon. If you even finish it’s a miracle.
    Barbara Dale (b. 1940)

    Clearly, society has a tremendous stake in insisting on a woman’s natural fitness for the career of mother: the alternatives are all too expensive.
    Ann Oakley (b. 1944)