Regius Professor Of Modern History (Cambridge)
Regius Professor of Modern History is one of the senior professorships in history at Cambridge University. It was founded in 1724 by George I. The appointment is by Royal Warrant on the recommendation of the Prime Minister of the day. Traditionally the Patronage Secretary at Number 10 Downing Street 'took soundings' in Cambridge and put two names before the Prime Minister, of which one was forwarded to the monarch. In 2008, however, Prime Minister Gordon Brown devolved the appointment of all the Regius Professorships onto appointments committees at their respective universities; the Vice-Chancellor is now required to forward the name of the successful candidate, who must have accepted the offer of the post, to the Cabinet Office, which then initiates the recommendation by the Prime Minister and the issuing of the Royal Warrant. The Regius Professorship was originally intended by George I to teach contemporary European history, and four modern language instructors had to be paid for out of the Professor's salary. In 1861 this requirement was dropped. A number of the holders of the Professorship have in fact been medieval history specialists, following a later division of History into Ancient and Modern. In 2010, the Queen and the Privy Council approved the removal of the word 'modern' from the title to reflect this change in usage, on the recommendation of the History Faculty and the University.
Read more about Regius Professor Of Modern History (Cambridge): Regius Professors of Modern History, Regius Professors of History
Famous quotes containing the words professor, modern and/or history:
“I was now at a university in New York, a professor of existential psychology with the not inconsiderable thesis that magic, dread, and the perception of death were the roots of motivation.”
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“Though collecting quotations could be considered as merely an ironic mimetism—victimless collecting, as it were ... in a world that is well on its way to becoming one vast quarry, the collector becomes someone engaged in a pious work of salvage. The course of modern history having already sapped the traditions and shattered the living wholes in which precious objects once found their place, the collector may now in good conscience go about excavating the choicer, more emblematic fragments.”
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“It’s a very delicate surgical operation—to cut out the heart without killing the patient. The history of our country, however, is a very tough old patient, and we’ll do the best we can.”
—Dudley Nichols, U.S. screenwriter. Jean Renoir. Sorel (Philip Merivale)