Solo Performance
Watts was the opening act for Conan O'Brien on The Legally Prohibited from Being Funny on Television Tour, and appeared as the musical guest on several episodes of Conan. He also recently recorded material for his Comedy Central special Why Shit So Crazy?, released as a dual DVD/CD package.
Watts' recent solo comedic experience includes gigs at Fusebox, SXSW, Bonnaroo, Brian Eno's Luminous Festival at the Sydney Opera House, The Louvre, Montreal Comedy Festival, PopTech!, Electric Forest Festival, Soho Theatre (London), Vancouver Comedy Festival, CollegeHumor's "CH Live" stand-up comedy series, The Edinburgh Festival, Bumbershoot, The Sydney Festival, Sasquatch, Outside Lands Festival and cities throughout the world including Amsterdam's Boom Chicago, Paris, Cologne, Madrid, Stockholm, Copenhagen, Melbourne, Cape Town and Reykjavík, among others.
Watts frequently collaborates with performers/musicians around the globe. He appeared as part of the Ensemble cast of UK beatboxer Beardyman's Complete and Utter Shambles show at the Udderbelly during its residency at South Bank. He was the opening act for Regina Spektor on her European tour; he recorded vocals for Spektor's song "Dance Anthem of the 80s". He collaborated with French singer Camile Dalmais in a performance at the Centre Pompidou, Paris. He also contributed two tracks to DFA Records' Spaghetti Circus. He also performed with dance-punk band LCD Soundsystem during their first two farewell shows at Terminal 5 in New York City, and again at their final show at Madison Square Garden.
Watts' second stand-up special, Reggie Watts: A "Live" in Central Park, premiered on May 12, 2012 on Comedy Central in the "Secret Stash" completely uncensored to positive reviews.
Read more about this topic: Reggie Watts
Famous quotes containing the words solo and/or performance:
“All mothers need instruction, nurturing, and an understanding mentor after the birth of a baby, but in this age of fast foods, fast tracks, and fast lanes, it doesn’t always happen. While we live in a society that provides recognition for just about every life event—from baptisms to bar mitzvahs, from wedding vows to funeral rites—the entry into parenting seems to be a solo flight, with nothing and no one to mark formally the new mom’s entry into motherhood.”
—Sally Placksin (20th century)
“Kind are her answers,
But her performance keeps no day;
Breaks time, as dancers,
From their own music when they stray.”
—Thomas Campion (1567–1620)